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Originally published in 1988, John Ford: Critical Re-Visions offers a wholesale reconsideration of the reputation of a major Caroline playwright.
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Originally published in 1988, John Ford: Critical Re-Visions offers a wholesale reconsideration of the reputation of a major Caroline playwright.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 304
- Erscheinungstermin: 21. November 2009
- Englisch
- Abmessung: 216mm x 140mm x 18mm
- Gewicht: 431g
- ISBN-13: 9780521128575
- ISBN-10: 0521128579
- Artikelnr.: 28525193
- Verlag: Cambridge University Press
- Seitenzahl: 304
- Erscheinungstermin: 21. November 2009
- Englisch
- Abmessung: 216mm x 140mm x 18mm
- Gewicht: 431g
- ISBN-13: 9780521128575
- ISBN-10: 0521128579
- Artikelnr.: 28525193
Michael Neill es internacionalmente conocido como coach transformador, locutor de radio y escritor de varios bestsellers, incluyendo Puedes tener lo que quieras (You Can Have What You Want) y Supercoach. Tiene más de 20 años de experiencia como consejero, amigo, mentor y guía creativo de celebridades, altos ejecutivos, miembros de la realeza y personas que desean conocer más sobre sí mismos y sus
Introduction Michael Neill
1. Ford in performance Roger Warren
3. 'Sensationalism' and 'melodrama' in Ford's plays Richard Madelaine
3. 'The Stage of My Mortality': Ford's poetry of death Colin Gibson
4. Singing through the chatter: Ford and contemporary theatrical fashion Andrew Gurr
5. 'Language and matter with a fit of mirth': dramatic construction in the plays of John Ford Kathleen McLuskie
6. Mortality, morality and modernity in The Broken Heart: some dramatic and critical counter-arguments Harriett Hawkins
7. 'What strange riddle's this?': deciphering 'Tis Pity She's a Whore Michael Neill
8. 'Tis Pity She's a Whore as city tragedy Verna Foster
9. Love's Sacrifice: Ford's metatheatrical tragedy Martin Butler
10. 'Being all one': Ford's analysis of love and friendship in Loues Sacrifice and The Ladies Traill Brian Opie
11. 'Effeminately dolent': gender and legitimacy in Ford's Perkin Warbeck Jean Howard
Index.
1. Ford in performance Roger Warren
3. 'Sensationalism' and 'melodrama' in Ford's plays Richard Madelaine
3. 'The Stage of My Mortality': Ford's poetry of death Colin Gibson
4. Singing through the chatter: Ford and contemporary theatrical fashion Andrew Gurr
5. 'Language and matter with a fit of mirth': dramatic construction in the plays of John Ford Kathleen McLuskie
6. Mortality, morality and modernity in The Broken Heart: some dramatic and critical counter-arguments Harriett Hawkins
7. 'What strange riddle's this?': deciphering 'Tis Pity She's a Whore Michael Neill
8. 'Tis Pity She's a Whore as city tragedy Verna Foster
9. Love's Sacrifice: Ford's metatheatrical tragedy Martin Butler
10. 'Being all one': Ford's analysis of love and friendship in Loues Sacrifice and The Ladies Traill Brian Opie
11. 'Effeminately dolent': gender and legitimacy in Ford's Perkin Warbeck Jean Howard
Index.
Introduction Michael Neill
1. Ford in performance Roger Warren
3. 'Sensationalism' and 'melodrama' in Ford's plays Richard Madelaine
3. 'The Stage of My Mortality': Ford's poetry of death Colin Gibson
4. Singing through the chatter: Ford and contemporary theatrical fashion Andrew Gurr
5. 'Language and matter with a fit of mirth': dramatic construction in the plays of John Ford Kathleen McLuskie
6. Mortality, morality and modernity in The Broken Heart: some dramatic and critical counter-arguments Harriett Hawkins
7. 'What strange riddle's this?': deciphering 'Tis Pity She's a Whore Michael Neill
8. 'Tis Pity She's a Whore as city tragedy Verna Foster
9. Love's Sacrifice: Ford's metatheatrical tragedy Martin Butler
10. 'Being all one': Ford's analysis of love and friendship in Loues Sacrifice and The Ladies Traill Brian Opie
11. 'Effeminately dolent': gender and legitimacy in Ford's Perkin Warbeck Jean Howard
Index.
1. Ford in performance Roger Warren
3. 'Sensationalism' and 'melodrama' in Ford's plays Richard Madelaine
3. 'The Stage of My Mortality': Ford's poetry of death Colin Gibson
4. Singing through the chatter: Ford and contemporary theatrical fashion Andrew Gurr
5. 'Language and matter with a fit of mirth': dramatic construction in the plays of John Ford Kathleen McLuskie
6. Mortality, morality and modernity in The Broken Heart: some dramatic and critical counter-arguments Harriett Hawkins
7. 'What strange riddle's this?': deciphering 'Tis Pity She's a Whore Michael Neill
8. 'Tis Pity She's a Whore as city tragedy Verna Foster
9. Love's Sacrifice: Ford's metatheatrical tragedy Martin Butler
10. 'Being all one': Ford's analysis of love and friendship in Loues Sacrifice and The Ladies Traill Brian Opie
11. 'Effeminately dolent': gender and legitimacy in Ford's Perkin Warbeck Jean Howard
Index.