Frances Spalding (Art historian, biographer, and critic, Professor
John Piper, Myfanwy Piper
A Biography
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Frances Spalding (Art historian, biographer, and critic, Professor
John Piper, Myfanwy Piper
A Biography
- Broschiertes Buch
An exuberant biography of John Piper, one of the best loved and capacious English artists, and his wife the librettist Myfanwy Piper, friend of and collaborator with Benjamin Britten. Together they were at the heart of art, architecture, opera, and the reshaping the perception of 'Englishness' in the mid-20th century.
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An exuberant biography of John Piper, one of the best loved and capacious English artists, and his wife the librettist Myfanwy Piper, friend of and collaborator with Benjamin Britten. Together they were at the heart of art, architecture, opera, and the reshaping the perception of 'Englishness' in the mid-20th century.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press
- Seitenzahl: 624
- Erscheinungstermin: 9. März 2017
- Englisch
- Abmessung: 193mm x 251mm x 35mm
- Gewicht: 1504g
- ISBN-13: 9780198804826
- ISBN-10: 0198804822
- Artikelnr.: 51469525
- Verlag: Oxford University Press
- Seitenzahl: 624
- Erscheinungstermin: 9. März 2017
- Englisch
- Abmessung: 193mm x 251mm x 35mm
- Gewicht: 1504g
- ISBN-13: 9780198804826
- ISBN-10: 0198804822
- Artikelnr.: 51469525
Frances Spalding began writing on British art early in her career and rapidly became of leading voice in this field, writing extensively in newspapers, magazines and exhibition catalogues on this subject before publishing British Art since 1900, the first overview of twentieth-century British art which has been widely used in schools, colleges, and universities. She went to achieve renown as a biographer, with lives of Roger Fry, Vanessa Bell, John Minton, Duncan Grant, Gwen Raverat, and of the poet Stevie Smith. She has also written a centenary history of the Tate and an introduction to Bloomsbury in the National Portrait Gallery's 'Insight' series. She is a popular speaker at festivals and other events.
Preface
Part I
1: John
2: 'That's Painting!'
3: Stained Glass and Coastal Gaiety
4: Orchard's Angel
Part II
5: Going Modern
6: Axis
7: Abstract and Concrete
8: 'Look, Stranger, at this island now'
Part III
9: New and shattered circumstances
10: Decrepit Glory, Pleasing Decay
11: 'The Weather in Our Souls'
12: Fawley Bum
Part IV
13: War Artist
14: Stormy Weather
15: Renishaw and the Sitwells
16: Topographical Mania
17: Sly Liaisons
18: Stern Watching and Mysterious Sympathy
Part V
19: Return to Peace
20: Working for the Stage and with Britten
21: 'A firm shape among shadows'
22: Cranko and Britten
23: The Turn of the Screw
24: Textiles, Mosaics, Murals, and early Stained Glass
25: Coventry and Cranks
Part VI
26: Ambiguous Venice
27: Dark Glasses at Evensong
28: Church Commissions
29: Owen Wingrave
30: Shell Guides
31: Pottery, Tapestries, and Fireworks
32: Death in Venice
Part VII
33: Deaths and Entrances
34: An English Garden
35: Myfanwy
Part I
1: John
2: 'That's Painting!'
3: Stained Glass and Coastal Gaiety
4: Orchard's Angel
Part II
5: Going Modern
6: Axis
7: Abstract and Concrete
8: 'Look, Stranger, at this island now'
Part III
9: New and shattered circumstances
10: Decrepit Glory, Pleasing Decay
11: 'The Weather in Our Souls'
12: Fawley Bum
Part IV
13: War Artist
14: Stormy Weather
15: Renishaw and the Sitwells
16: Topographical Mania
17: Sly Liaisons
18: Stern Watching and Mysterious Sympathy
Part V
19: Return to Peace
20: Working for the Stage and with Britten
21: 'A firm shape among shadows'
22: Cranko and Britten
23: The Turn of the Screw
24: Textiles, Mosaics, Murals, and early Stained Glass
25: Coventry and Cranks
Part VI
26: Ambiguous Venice
27: Dark Glasses at Evensong
28: Church Commissions
29: Owen Wingrave
30: Shell Guides
31: Pottery, Tapestries, and Fireworks
32: Death in Venice
Part VII
33: Deaths and Entrances
34: An English Garden
35: Myfanwy
Preface
Part I
1: John
2: 'That's Painting!'
3: Stained Glass and Coastal Gaiety
4: Orchard's Angel
Part II
5: Going Modern
6: Axis
7: Abstract and Concrete
8: 'Look, Stranger, at this island now'
Part III
9: New and shattered circumstances
10: Decrepit Glory, Pleasing Decay
11: 'The Weather in Our Souls'
12: Fawley Bum
Part IV
13: War Artist
14: Stormy Weather
15: Renishaw and the Sitwells
16: Topographical Mania
17: Sly Liaisons
18: Stern Watching and Mysterious Sympathy
Part V
19: Return to Peace
20: Working for the Stage and with Britten
21: 'A firm shape among shadows'
22: Cranko and Britten
23: The Turn of the Screw
24: Textiles, Mosaics, Murals, and early Stained Glass
25: Coventry and Cranks
Part VI
26: Ambiguous Venice
27: Dark Glasses at Evensong
28: Church Commissions
29: Owen Wingrave
30: Shell Guides
31: Pottery, Tapestries, and Fireworks
32: Death in Venice
Part VII
33: Deaths and Entrances
34: An English Garden
35: Myfanwy
Part I
1: John
2: 'That's Painting!'
3: Stained Glass and Coastal Gaiety
4: Orchard's Angel
Part II
5: Going Modern
6: Axis
7: Abstract and Concrete
8: 'Look, Stranger, at this island now'
Part III
9: New and shattered circumstances
10: Decrepit Glory, Pleasing Decay
11: 'The Weather in Our Souls'
12: Fawley Bum
Part IV
13: War Artist
14: Stormy Weather
15: Renishaw and the Sitwells
16: Topographical Mania
17: Sly Liaisons
18: Stern Watching and Mysterious Sympathy
Part V
19: Return to Peace
20: Working for the Stage and with Britten
21: 'A firm shape among shadows'
22: Cranko and Britten
23: The Turn of the Screw
24: Textiles, Mosaics, Murals, and early Stained Glass
25: Coventry and Cranks
Part VI
26: Ambiguous Venice
27: Dark Glasses at Evensong
28: Church Commissions
29: Owen Wingrave
30: Shell Guides
31: Pottery, Tapestries, and Fireworks
32: Death in Venice
Part VII
33: Deaths and Entrances
34: An English Garden
35: Myfanwy