Jonas Mekas, Shiver of Memory - Delpeut, Peter
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"The controversy over filmmaker Jonas Mekas's memories of his WWII Lithuanian youth are delicately and humanely approached in this book-length essay by a Mekas cinephile. Stemming from a New York Review of Books article by a young Jewish historian that condemned the widely-beloved Jonas Mekas, known as the 'Godfather of American avant-garde cinema', this essayistic, self-reflective, and analytic book flowers into an inquiry about memory and forgetting; the wild moral compass of the future that cannot find its bearing in the past; and the roles we all must play in writing the adequate history of events too traumatic for a just accounting"--…mehr

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Produktbeschreibung
"The controversy over filmmaker Jonas Mekas's memories of his WWII Lithuanian youth are delicately and humanely approached in this book-length essay by a Mekas cinephile. Stemming from a New York Review of Books article by a young Jewish historian that condemned the widely-beloved Jonas Mekas, known as the 'Godfather of American avant-garde cinema', this essayistic, self-reflective, and analytic book flowers into an inquiry about memory and forgetting; the wild moral compass of the future that cannot find its bearing in the past; and the roles we all must play in writing the adequate history of events too traumatic for a just accounting"--
Autorenporträt
Peter Delpeut (b.1956) is a Dutch author and filmmaker currently living in Amsterdam. He has written four novels, several essay books on art and film, and two lyrical books about long distance cycling.  For his debut novel in 2007 he was nominated for the Gerard Walschap Prize and awarded the Halewijn Prize. He has made critically acclaimed and prizewinning films in many genres: found footage, documentary and features. He studied philosophy and film theory, graduating from the Dutch Film Academy in 1984 before serving as editorfor film magazines Skrien and Versus. From 1988 to 1995 he worked as curator and deputy-director for the Netherlands Filmmuseum (now Eye), famous at the time for its revolutionary color preservations of films from the silent era. In 2005 a retrospective of his film work was presented in Washington, New York and Berkeley.