Offering an exciting forum for one of the most interesting and nascent areas of Conrad studies, this collection examines major and neglected works within the context of the performing arts, including popular theatrical traditions, early cinema, shadow plays, Shakespeare, and opera. Taken together, the essays provide, through solid scholarship and richly provocative speculation, new insight into Conrad's oeuvre, and invite future dialogue in the burgeoning field of Conrad and the performing arts.
Offering an exciting forum for one of the most interesting and nascent areas of Conrad studies, this collection examines major and neglected works within the context of the performing arts, including popular theatrical traditions, early cinema, shadow plays, Shakespeare, and opera. Taken together, the essays provide, through solid scholarship and richly provocative speculation, new insight into Conrad's oeuvre, and invite future dialogue in the burgeoning field of Conrad and the performing arts.
Katherine Isobel Baxter is a Senior Lecturer in English Literature at Northumbria University, UK, and Richard J. Hand is Professor of Theatre and Media Drama at the University of Glamorgan, Wales.
Inhaltsangabe
Contents: Introduction: Joseph Conrad and the performing arts: an introduction, Katherine Isobel Baxter and Richard J. Hand; Performing Malaya, Linda Dryden; 'Sly civility?': Mrs Almayer's and Mrs Willems's performances of colonial resistance in Outcast of the Islands and Almayer's Folly, Susan Barras; Mixing the masks of comedy and tragedy: the popular theatres of Joseph Conrad's fiction, Richard J. Hand; From stage to screen: 'The Return', Victory, The Secret Agent and Chance, Robert Hampson; 'Post-impressionism' and the cinema: how we are 'made to see' in Conrad's Victory, Suzanne Speidel; Gorgeous eloquence: Conrad and shadowgraphy, Stephen Donovan; Comedy and romance: a new look at Shakespeare and Conrad, Katherine Isobel Baxter; Conrad in the operatic mode, Laurence Davies; Bibliography; Index.
Contents: Introduction: Joseph Conrad and the performing arts: an introduction, Katherine Isobel Baxter and Richard J. Hand; Performing Malaya, Linda Dryden; 'Sly civility?': Mrs Almayer's and Mrs Willems's performances of colonial resistance in Outcast of the Islands and Almayer's Folly, Susan Barras; Mixing the masks of comedy and tragedy: the popular theatres of Joseph Conrad's fiction, Richard J. Hand; From stage to screen: 'The Return', Victory, The Secret Agent and Chance, Robert Hampson; 'Post-impressionism' and the cinema: how we are 'made to see' in Conrad's Victory, Suzanne Speidel; Gorgeous eloquence: Conrad and shadowgraphy, Stephen Donovan; Comedy and romance: a new look at Shakespeare and Conrad, Katherine Isobel Baxter; Conrad in the operatic mode, Laurence Davies; Bibliography; Index.
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