A collection of studies that examine various aspects of Joseph Conradâ s literary art, with the organizing ideas being textuality and intertextualityHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ewa Kujawska-Lis: Wies aw Krajka. Appreciation Ewa Kujawska-Lis: Introduction Mägorzata Stanek: Imagination and Inertness: Escapes and Fictional Spaces in Conrad Jaros aw Giza: Conradian femmes fatales - Winnie Verloc, Freya, the Governess, and Susan Bacadou: Utterly Evil? Sylwia Janina Wojciechowska: Patterns of Nostalgia in the Autobiographical Reflections of Joseph Conrad and Henry James Anna Szczepan-Wojnarska: Almayer's Aria Brian Richardson: Sense Perception and Synaesthesia in Conrad's Fiction Peter Vernon: "The Gaiety of Language is Our Seigneur": On the Function of Art in Some of Conrad's Major Works Michel Arouimi: Poetics of Contradiction in The Secret Agent Maria Paola Guarducci: (Un)Familiar Ground. European Domestic Dramas in the Fiction of Joseph Conrad Agnieszka Setecka: The Sociology of Information in Joseph Conrad's The Secret Agent Nergis Ünal: A Bakhtinian Analysis of the Protagonist's Ethical Dilemmas in Joseph Conrad's Under Western Eyes Laurence Davies: Conrad's Fascination with Illicit Bombs and Weaponry Brygida Pude ko: H. G. Wells and Joseph Conrad: The Art of Fiction and Recurring Themes in Their Works Gräyna Maria Teresa Branny: Intertextuality and Denegation in Conrad's Earliest Short Story "The Black Mate" David Schauffler: Yanko Goorall and Espen Arnakke: Similarities and Differences between "Amy Foster" and En sjømann går i land by Aksel Sandemose Subhadeep Ray: "Why not tell me a tale?": Dislocating the Genre in Joseph Conrad's "The Tale" and Premendra Mitra's "The Discovery of Telen pot " Balázs Csizmadia: Narrated Drama: János Gosztonyi's Büvölet as an Adaptation of Conrad's Victory Chris Cairney: Conrad in an Age of Social Justice: Teaching The Secret Agent in Light of Contemporary Issues
Ewa Kujawska-Lis: Wies aw Krajka. Appreciation Ewa Kujawska-Lis: Introduction Mägorzata Stanek: Imagination and Inertness: Escapes and Fictional Spaces in Conrad Jaros aw Giza: Conradian femmes fatales - Winnie Verloc, Freya, the Governess, and Susan Bacadou: Utterly Evil? Sylwia Janina Wojciechowska: Patterns of Nostalgia in the Autobiographical Reflections of Joseph Conrad and Henry James Anna Szczepan-Wojnarska: Almayer's Aria Brian Richardson: Sense Perception and Synaesthesia in Conrad's Fiction Peter Vernon: "The Gaiety of Language is Our Seigneur": On the Function of Art in Some of Conrad's Major Works Michel Arouimi: Poetics of Contradiction in The Secret Agent Maria Paola Guarducci: (Un)Familiar Ground. European Domestic Dramas in the Fiction of Joseph Conrad Agnieszka Setecka: The Sociology of Information in Joseph Conrad's The Secret Agent Nergis Ünal: A Bakhtinian Analysis of the Protagonist's Ethical Dilemmas in Joseph Conrad's Under Western Eyes Laurence Davies: Conrad's Fascination with Illicit Bombs and Weaponry Brygida Pude ko: H. G. Wells and Joseph Conrad: The Art of Fiction and Recurring Themes in Their Works Gräyna Maria Teresa Branny: Intertextuality and Denegation in Conrad's Earliest Short Story "The Black Mate" David Schauffler: Yanko Goorall and Espen Arnakke: Similarities and Differences between "Amy Foster" and En sjømann går i land by Aksel Sandemose Subhadeep Ray: "Why not tell me a tale?": Dislocating the Genre in Joseph Conrad's "The Tale" and Premendra Mitra's "The Discovery of Telen pot " Balázs Csizmadia: Narrated Drama: János Gosztonyi's Büvölet as an Adaptation of Conrad's Victory Chris Cairney: Conrad in an Age of Social Justice: Teaching The Secret Agent in Light of Contemporary Issues
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