Jesse Rodin is Assistant Professor of Music at Stanford University. He is co-editor of the Cambridge History of Fifteenth Century Music, and author of several articles in such journals as The Journal of the American Musicological Society and Music and Letters.
Inhaltsangabe
* Table of Contents * Introduction * Part I. Toward Josquin's Style * Chapter 1. Methodological Minefields * Chapter 2. An Obsessive Compositional Personality * Part II. Surveying the Soundscape. The Cappella Sistina, ca. 1480-ca. 1500 * Chapter 3. The Repertory * Chapter 4. The Lingua Franca * Chapter 5. A Maximalist Musical Mind: Marbrianus de Orto * Part III. Josquin's Roman Music in Context * Chapter 6. Super voces musicales and the L'homme armé Tradition * Chapter 7. Intersections and Borrowings * Appendix A. Music Copied into Cappella Sistina Manuscripts before ca. 1500 * Appendix B. Contents of VatS 14 and 51 * Appendix C. Related Repertories: VerBC 761, BarcOC 5, and VatSP B80 * Appendix D. Three Anonymous Da pacem Motets * Appendix E. Five Canonic Hymn Settings
* Table of Contents * Introduction * Part I. Toward Josquin's Style * Chapter 1. Methodological Minefields * Chapter 2. An Obsessive Compositional Personality * Part II. Surveying the Soundscape. The Cappella Sistina, ca. 1480-ca. 1500 * Chapter 3. The Repertory * Chapter 4. The Lingua Franca * Chapter 5. A Maximalist Musical Mind: Marbrianus de Orto * Part III. Josquin's Roman Music in Context * Chapter 6. Super voces musicales and the L'homme armé Tradition * Chapter 7. Intersections and Borrowings * Appendix A. Music Copied into Cappella Sistina Manuscripts before ca. 1500 * Appendix B. Contents of VatS 14 and 51 * Appendix C. Related Repertories: VerBC 761, BarcOC 5, and VatSP B80 * Appendix D. Three Anonymous Da pacem Motets * Appendix E. Five Canonic Hymn Settings
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