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  • Broschiertes Buch

The Journal of Cultural Management and Cultural Policy offers international perspectives on a wide range of issues in cultural management and cultural policy research and practice. Cultural participation has been a central topic in cultural policy discourse as well as in the theory and real-life practice of cultural management for over 50 years now. But what do we mean by cultural participation? Who is the driving force behind participation? How can we measure whether the goals of cultural participation have been achieved? The discourse conducted in the 1970s under the claim »culture for all«…mehr

Produktbeschreibung
The Journal of Cultural Management and Cultural Policy offers international perspectives on a wide range of issues in cultural management and cultural policy research and practice. Cultural participation has been a central topic in cultural policy discourse as well as in the theory and real-life practice of cultural management for over 50 years now. But what do we mean by cultural participation? Who is the driving force behind participation? How can we measure whether the goals of cultural participation have been achieved? The discourse conducted in the 1970s under the claim »culture for all« has (again) gained momentum in recent years with regard to the distribution of power, structural exclusions and the creation of new or different access points. The contributors paint a differentiated picture of cultural participation, also considering diversity, accessibility and inclusion.
Autorenporträt
Constance DeVereaux (PhD) is associate professor in residence and director, MFA Arts Administration at the University of Connecticut.Steffen Höhne (Prof. Dr.) is professor for cultural management and head of the cultural management course at the Hochschule für Musik Franz Liszt Weimar.Martin Tröndle (Prof.) is chair of cultural production at the Zeppelin University in Friedrichshafen. He is the editor of the »Journal for Cultural Management: Art, Politics, Economics and Society« and director of the Swiss National Science Foundation project »eMotion mapping museum experience«. He was a music consultant in the Lower Saxony Ministry for Science and Culture. He has received various prizes and awards for his research work.