This innovative look at eighteenth-century musical form encourages audiences and performers to experience Galant music through the eyes and ears of those who originally composed, performed, and listened to it. Author L. Poundie Burstein argues that this means approaching these compositions through the metaphor of a journey.
This innovative look at eighteenth-century musical form encourages audiences and performers to experience Galant music through the eyes and ears of those who originally composed, performed, and listened to it. Author L. Poundie Burstein argues that this means approaching these compositions through the metaphor of a journey.
L. Poundie Burstein is Professor of Music at Hunter College and the Graduate Center of the City University of New York. His 2005 article "The Off-Tonic Return in Beethoven's Piano Concerto No. 4 in G Major, Op. 58, and Other Works" was the winner of the Outstanding Publication Award of the Society of Music Theory in 2008, and he served as the President of the Society of Music Theory from 2013 to 2015. For many years, he performed extensively as a freelance pianist for comedy improvisation groups in the New York City area.
Inhaltsangabe
* Chapter 1: Introduction * Part I: Theories and Terminology * Chapter 2: Formal Punctuations: Perioden and Sätze * Chapter 3: Hauptruhepuncte and Haupttheile * Chapter 4: Eighteenth-Century Approaches to Expositions: Riepel and Koch * Chapter 5: Other Eighteenth-Century Approaches to Expositions: Galeazzi, Kollmann, and Neubauer * Chapter 6: Modern Terminology * Part II: Expositions * Chapter 7: Standard Punctuation Form * Chapter 8: Two-Part Expositions * Chapter 9: Division Following the Home-Key Dominant * Chapter 10: Division Following the New-Key Dominant * Chapter 11: Expositions with Two Half-Cadential Breaks * Chapter 12: Division Following Arrival on Tonic * Chapter 13: Uncommon Divisions * Part III: The Entire Movement * Chapter 14: The Movement's Second Half * Chapter 15: Analyses * Appendix * Glossary * Index
* Chapter 1: Introduction * Part I: Theories and Terminology * Chapter 2: Formal Punctuations: Perioden and Sätze * Chapter 3: Hauptruhepuncte and Haupttheile * Chapter 4: Eighteenth-Century Approaches to Expositions: Riepel and Koch * Chapter 5: Other Eighteenth-Century Approaches to Expositions: Galeazzi, Kollmann, and Neubauer * Chapter 6: Modern Terminology * Part II: Expositions * Chapter 7: Standard Punctuation Form * Chapter 8: Two-Part Expositions * Chapter 9: Division Following the Home-Key Dominant * Chapter 10: Division Following the New-Key Dominant * Chapter 11: Expositions with Two Half-Cadential Breaks * Chapter 12: Division Following Arrival on Tonic * Chapter 13: Uncommon Divisions * Part III: The Entire Movement * Chapter 14: The Movement's Second Half * Chapter 15: Analyses * Appendix * Glossary * Index
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