Brivic argues that James Joyce's fiction anticipated Jacques Lacan's idea that the perceivable world is made of language and that Joyce, Lacan, and Zizek all carry forward a psychological and linguistic groundwork for social reform.
Brivic argues that James Joyce's fiction anticipated Jacques Lacan's idea that the perceivable world is made of language and that Joyce, Lacan, and Zizek all carry forward a psychological and linguistic groundwork for social reform.
Produktdetails
Produktdetails
New Directions in Irish and Irish American Literature
SHELLY BRIVIC is Professor of English, Temple University, USA.
Inhaltsangabe
Introduction: Exploring Freedom Through Language PART I: THE REVOLUTIONARY PORTRAIT OF THE ARTIST Stephen Dedalus Gets Changed Freedom Through Figuration in A Portrait Entwined Genders in A Portrait Zizek, Fantasy, and Truth PART II: ULYSSES OFF COURSE Let's Get Lost: Exploration in Homer and Joyce Structure as Discovery in Ulysses Ulysses' "Circe": Dealing in Shame Part III: FINNEGANS WAKE AS THE WORLD Reality as Fetish: The Crime In Finnegans Wake The Africanist Dimension of Finnegans Wake The Rising Sun: Asia in Finnegans Wake Conclusion: Exploration and Comedy Works
Introduction: Exploring Freedom Through Language PART I: THE REVOLUTIONARY PORTRAIT OF THE ARTIST Stephen Dedalus Gets Changed Freedom Through Figuration in A Portrait Entwined Genders in A Portrait Zizek, Fantasy, and Truth PART II: ULYSSES OFF COURSE Let's Get Lost: Exploration in Homer and Joyce Structure as Discovery in Ulysses Ulysses' "Circe": Dealing in Shame Part III: FINNEGANS WAKE AS THE WORLD Reality as Fetish: The Crime In Finnegans Wake The Africanist Dimension of Finnegans Wake The Rising Sun: Asia in Finnegans Wake Conclusion: Exploration and Comedy Works
Rezensionen
"[A] hugely enjoyable book...The expanding universe of Zizekian interpretation opens up to the judicious critic who, armed with Brivic's great knowledge of all things Joycean, can re-launch the sinthome, now freed from its cryptic vault and able to address many aspects of Joycean experience." - The James Joyce Quarterly
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