Juana I, La Reina Cuerda - Lara Martinez, Maria
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Described in her youth as very sane, why did things go awry in Juana's existence? Was her husband so beautiful? Did Juana suffer from a latent illness that accelerated with her distance from Castile? Did pregnancies accentuate a hitherto silent ailment? Did jealousy constitute the cause of her pathology? Why was Isabella the Catholic allowed to reign at the end of the Middle Ages and not her heir, in the middle of the Renaissance, with humanism as doctrine? Did Juana use the alienation she was accused of as a neural mask? What values did she cling to in order to maintain her courage in the…mehr

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Produktbeschreibung
Described in her youth as very sane, why did things go awry in Juana's existence? Was her husband so beautiful? Did Juana suffer from a latent illness that accelerated with her distance from Castile? Did pregnancies accentuate a hitherto silent ailment? Did jealousy constitute the cause of her pathology? Why was Isabella the Catholic allowed to reign at the end of the Middle Ages and not her heir, in the middle of the Renaissance, with humanism as doctrine? Did Juana use the alienation she was accused of as a neural mask? What values did she cling to in order to maintain her courage in the face of her captors? For almost 50 years Juana, Spain's most famous and yet least powerful queen, was confined to the palace of Tordesillas. She was 29 years old when she arrived and died in that enclosure at the age of 75. Except for childish laughter, throughout her life she was treated like a puppet. She, who was the wisest princess of her time... Without looking for it, Juana was on the board a pawn moved at the whim of her father, Ferdinand, her husband, Philip, and her son, Charles. It is said that behind the history of chess, brought to the Iberian Peninsula by the Muslims, there is enigmatically hidden the figure of her mother, the Lady... Isabel designated Juana as heiress in her will, although in practice her mandate was ignored. With patience and scientific rigor María Lara, PhD in Modern History, reconstructs the daily life of Juana de Trastámara, from the investigation of her birthplace to her death on Good Friday after being branded a heretic. Researching in the archives, the writer delves into the emotional universe of Juana, the empress whose title was never recognized, the mystic who lived with Philip's corpse as the key to her freedom. This is the story of Juana, the sane queen.
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Autorenporträt
MARÍA LARA es historiadora y escritora. Doctora Europea por la Universidad de Castilla-La Mancha y licenciada en Historia por la Universidad de Alcalá, está en posesión del Primer Premio Nacional de Fin de Carrera (Gobierno de España), del Premio Extraordinario y del Premio Uno de la UAH. Es profesora universitaria de Historia Moderna y Antropología en la UDIMA, impartiendo docencia en los Grados en Psicología (rama de Ciencias de la Salud) y en Criminología. Jurado del Premio Nacional de las Letras Españolas (2012) del MECD, ha desarrollado estancias como Associate y Fellow en Harvard University. Ha sido Profesora Erasmus Plus en universidades de Bulgaria, Francia, Georgia, Suecia, Italia, Polonia, etc., así como Teacher del Carolinum (High School que data de 1623) y del Zespół, Szkół, i Placówek Artystycznych (Complejo de Escuelas e Instituciones Artísticas) en Nysa (Polonia). Con su hermana, la Profesora Laura Lara, en 2015 recibió el Premio Algaba por su libro Ignacio y la Compañía. Del castillo a la misión (Ámbito Cultural de El Corte Inglés) y, en 2018, ambas publicaron el Breviario de Historia de España, al que han seguido obras como Princesas en Jeans, Los caballos amarillos. Enfermedades que nadie vio venir y Mentiras de la Historia de España. A veces las cosas no son como nos las han contado. Es experta en el estudio de la brujería ante la Inquisición destacando su libro Historia de las Guerras de Religión, publicado en Sekotia. En 2011 María Lara ganó el Premio de Novela Histórica 'Ciudad de Valeria' con El velo de la promesa y, en 2014, la saga romana continuó con Memorias de Helena. Su tercera novela es 'Sin el estigma de Eva, protagonizada por Christine de Pizan. Académica de la Televisión, tiene secciones propias en radio en España y Argentina. Realiza el espacio 'Vamos a contar verdades' en Todo es Mentira en Cuatro. Es Embajadora de la Marca Ejército, por nombramiento del Ejército de Tierra, e historiadora del Servicio Histórico y Cultural del Ejército del Aire y del Espacio.