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This book explores the nature of Jungâ s understanding of modern art, in particular his reception to the work of Picasso and his striking prejudice shown in his controversial essay of 1932.

Produktbeschreibung
This book explores the nature of Jungâ s understanding of modern art, in particular his reception to the work of Picasso and his striking prejudice shown in his controversial essay of 1932.
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Autorenporträt
Lucinda Hill is a postdoctoral research fellow at Bangor University (UK) and has a PhD in philosophy. She is also a practising abstract artist.