Karate, Kobudo & Te, Self-Defence Decoded (Book One) Fists to Clubs & Staves - Bishop, Mark D
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TRAIN, READ, LEARN, RESEARCH & BE WISE! Self-defence is the vital tip of the iceberg of martial arts training, the hardened stabbing end that will win through. "KARATE, KOBUDO & TE, Self-Defence Decoded (Book One) Fists to Clubs & Staves", deals directly with these aspects as they pertain to preservation of life and our loved ones. The book details the cold, hard facts of how to aggressively maim and kill, or conversely how to avoid, hold back and control. It answers, why we train like we do and the necessity of 'standing up to he bully' who uses fists, or wields blunted implements. It…mehr

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Produktbeschreibung
TRAIN, READ, LEARN, RESEARCH & BE WISE! Self-defence is the vital tip of the iceberg of martial arts training, the hardened stabbing end that will win through. "KARATE, KOBUDO & TE, Self-Defence Decoded (Book One) Fists to Clubs & Staves", deals directly with these aspects as they pertain to preservation of life and our loved ones. The book details the cold, hard facts of how to aggressively maim and kill, or conversely how to avoid, hold back and control. It answers, why we train like we do and the necessity of 'standing up to he bully' who uses fists, or wields blunted implements. It outlines the results of training and describes how the applications are adaptable to attack situations, be they by individuals or groups, in the open air or in enclosed spaces. All the while however, the concerns for health and the duty-of-care for others is underlined.
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Autorenporträt
This, the third and most involved work by the author on the growing research into Stone Age portable rock art, is a must read for all interested parties. Beginning with handaxes crafted by the earliest inhabitants of the British Isles, one million years ago, it details that they carved, pecked and knapped these artefacts as art. Handaxes of all types, shapes and forms were not so much meant for use as weapons, but more as tools and ceremonial objects, having dual ritualistic and practical functions. Passed down as ancestral heirlooms, they became enthused with 'mana' and were often placed as offerings in streams, or at tomb and grave sites, or by sacred groves. Until now, the designs seen of these artefacts have not generally been recognised as art. The main theme of this work therefore is to introduce these artforms in detail to the world of archaeology and the public alike. Intangible, ritualistic meanings they once held, yet tangible stone art they remain, preserved as monuments to the skill and cognitive abilities of our most distant ancestors.