Presenting a story of art and artists in Gunbalanya, western Arnhem Land between the years 2001 and 2005, this book explores the artistic community surrounding the primary place of art creation and sale in the region, Injalak Arts, an art centre established in the remote Aboriginal community of Gunbalanya.
Presenting a story of art and artists in Gunbalanya, western Arnhem Land between the years 2001 and 2005, this book explores the artistic community surrounding the primary place of art creation and sale in the region, Injalak Arts, an art centre established in the remote Aboriginal community of Gunbalanya.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Dr. Sally K. May is an Associate Professor of archaeology and museum studies in the School of Humanities at the University of Adelaide, Australia. Her interdisciplinary research focuses on relationships between people, landscapes, material culture and imagery, with inspiration drawn primarily from fieldwork in northern Australia. Sally is the author of " Collecting Cultures: Myth, Politics, and Collaboration in the 1948 Arnhem Land Expedition" (Altamira, 2009) and co-author of "The Bible in Buffalo Country: Oenpelli mission 1925-1931" (ANU Press, 2020).
Inhaltsangabe
Chapter 1: Community archaeology, interdisciplinarity, and an artistic community Chapter 2: Contemplating community Chapter 3: Embodied reflexive ethnography Chapter 4: Histories of art and community in Gunbalanya (Oenpelli) Chapter 5: Histories of art in the mission era and beyond Chapter 6: The Australian Art Centre Movement Chapter 7: Navigating protocols in a new era Chapter 8: People, place, and community Chapter 9: A cultural house Chapter 10: Community and social context Chapter 11: The life of a Gunbalanya painter Chapter 12: Injalak's influence on style and subject matter Chapter 13: Reflections Index.
Chapter 1: Community archaeology, interdisciplinarity, and an artistic community Chapter 2: Contemplating community Chapter 3: Embodied reflexive ethnography Chapter 4: Histories of art and community in Gunbalanya (Oenpelli) Chapter 5: Histories of art in the mission era and beyond Chapter 6: The Australian Art Centre Movement Chapter 7: Navigating protocols in a new era Chapter 8: People, place, and community Chapter 9: A cultural house Chapter 10: Community and social context Chapter 11: The life of a Gunbalanya painter Chapter 12: Injalak's influence on style and subject matter Chapter 13: Reflections Index.
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