Scholarly theorizations of storytelling forms within human rights texts such as novels, human rights reports, testimonies or life narratives, typically focus on representations of physical pain. In contrast, this book shows how Kashmiri life narratives perform human rights advocacy through representations of pleasure and happiness.
Scholarly theorizations of storytelling forms within human rights texts such as novels, human rights reports, testimonies or life narratives, typically focus on representations of physical pain. In contrast, this book shows how Kashmiri life narratives perform human rights advocacy through representations of pleasure and happiness.
Rakhshan Rizwan is a writer and scholar working at the intersection of creative and scholarly practice. She is a postdoctoral researcher affiliated with Utrecht University in the Netherlands and has a PhD in Comparative Literature. She has been a guest researcher at the Tilburg Law School. Her research interests include human rights and literature, postcolonial novels, decolonial legal fictions and minority rights and representation. She is author of "Local Flows: The Pleasurecentric Turn in Human Rights Advocacy in South Asia" (Tilburg Law Review, 2017) and "Repudiating the fathers: Resistance and Writing Back in Mirza Waheed's The Collaborator" (Kashmir Lit, 2013). Her poetry pamphlet, Paisley (2017) was shortlisted for the Michael Marks Poetry Prize.
Inhaltsangabe
Introduction: The Poet and the Cassette Player Chapter 1 Mobilizing Pleasure through Genre: Curfewed Night and Our Moon Has Bloodclots as Kashmiri Bildungsromane Chapter 2 Literary Fiction as an Alternative to a Human Rights Report: The Case of Mirza Waheed's The Collaborator Chapter 3 Imagining Local Cosmopolitanism and Cultural Human Rights in Sudha Koul's The Tiger Ladies Chapter 4 Palatable Fictions: Negotiating Narratives of Consumption and Subalternity in Jaspreet Singh's Chef Chapter Five Portable Pleasures and Papier Mache: Strategic exoticism in Mirza Waheed's The Book of Gold Leaves Conclusion
Introduction: The Poet and the Cassette Player Chapter 1 Mobilizing Pleasure through Genre: Curfewed Night and Our Moon Has Bloodclots as Kashmiri Bildungsromane Chapter 2 Literary Fiction as an Alternative to a Human Rights Report: The Case of Mirza Waheed's The Collaborator Chapter 3 Imagining Local Cosmopolitanism and Cultural Human Rights in Sudha Koul's The Tiger Ladies Chapter 4 Palatable Fictions: Negotiating Narratives of Consumption and Subalternity in Jaspreet Singh's Chef Chapter Five Portable Pleasures and Papier Mache: Strategic exoticism in Mirza Waheed's The Book of Gold Leaves Conclusion
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
