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Dazzling and playful, Katherine BernhardtâEUR(TM)s newest paintings highlight her fascination with American pop vernacular, from PokÃ(c)mon and the Pink Panther to Crocs and psilocybin mushrooms. ---------- "Bernhardt has always been impressive for her ability to combine the immediate, seductive properties of paint with the infectious humor of topical pop culture." âEUR"Hyperallergic ---------- BernhardtâEUR(TM)s boundless visual appetite has established her as one of the most exciting painters working today. Thinking about the relationship between art, objects, and commerce, Bernhardt…mehr

Produktbeschreibung
Dazzling and playful, Katherine BernhardtâEUR(TM)s newest paintings highlight her fascination with American pop vernacular, from PokÃ(c)mon and the Pink Panther to Crocs and psilocybin mushrooms. ---------- "Bernhardt has always been impressive for her ability to combine the immediate, seductive properties of paint with the infectious humor of topical pop culture." âEUR"Hyperallergic ---------- BernhardtâEUR(TM)s boundless visual appetite has established her as one of the most exciting painters working today. Thinking about the relationship between art, objects, and commerce, Bernhardt spotlights iconic motifs of cartoons and cultural symbols. Colors and lines bleed and pool together, revealing BernhardtâEUR(TM)s brisk and improvisational process. Monumental in size, subject matter, and vibrancy, Katherine BernhardtâEUR(TM)s works demand attention. Expanding upon the exhibition at David Zwirner, London, in 2022, this catalogue includes bonus paintings and works on paperâEUR"developing her ongoing body of work. With many details of BernhardtâEUR(TM)s paintings, this large publication gives the artistâEUR(TM)s work ample space to play. Suzanne HudsonâEUR(TM)s essay considers BernhardtâEUR(TM)s work from an art historical perspective and thinks through the relationship between the artistâEUR(TM)s work and life.
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Autorenporträt
Katherine Bernhardt (b. 1975) was born in St. Louis, Missouri, and received a BFA from the School of the Art Institute of Chicago in 1998 and an MFA from the School of Visual Arts, New York, in 2000. In 2018, the solo exhibition Katherine Bernhardt: Watermelon World was on view at the Mario Testino Museum (MATE) in Lima, Peru. The previous year, the Modern Art Museum of Fort Worth, Texas, presented FOCUS: Katherine Bernhardt. Also in 2017, the artist painted a sixty-foot-long mural titled XXL Superflat Pancake for the St. Louis Contemporary Art Museum. Her work has been included in significant group exhibitions, such as We Fight to Build a Free World: An Exhibition by Jonathan Horowitz, at the Jewish Museum, New York (2020), and NO MAN’S LAND: Women Artists from the Rubell Family Collection , Rubell Museum, Miami, which traveled to the National Museum of Women in the Arts, Washington, DC (2015–2017).