Ricardo Montez traces the drawn and painted line that was at the center of Keith Haring's artistic practice, engaging with Haring's messy relationships to race-making and racial imaginaries.
Ricardo Montez traces the drawn and painted line that was at the center of Keith Haring's artistic practice, engaging with Haring's messy relationships to race-making and racial imaginaries.
Ricardo Montez is Associate Professor of Performance Studies, Schools of Public Engagement, The New School.
Inhaltsangabe
List of Illustrations ix Acknowledgments xi Introduction. The Call of the Impossible Figure 1 1. Desire in Transit: Writing It Out in New York City 31 2. "Trade' Marks: LA II and a Queer Economy of Exchange 61 3. Theory Made Flesh?: Keeping Up with Grace Jones 83 4. Drips, Rust, and Residue: Forms of Longing 109 Notes 135 Bibliography 141 Index 145
List of Illustrations ix Acknowledgments xi Introduction. The Call of the Impossible Figure 1 1. Desire in Transit: Writing It Out in New York City 31 2. "Trade' Marks: LA II and a Queer Economy of Exchange 61 3. Theory Made Flesh?: Keeping Up with Grace Jones 83 4. Drips, Rust, and Residue: Forms of Longing 109 Notes 135 Bibliography 141 Index 145
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