Key Change - Children's Theatre Company
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Children’s Theatre Company (CTC), based in Minneapolis, was rated by TIME magazine as the number one children’s theatre in the United States. Serving 250,000 people annually, it has received numerous honors, including the 2003 Tony® Award for Regional Theatre, the Children’s Theater Foundation of America Medallion, and the National Governor’s Association Award. Jeanine Tesori is an American composer and musical arranger. She is the most prolific and renowned female theatrical composer in history, with five Broadway musicals and four Tony nominations. Key Change is the fourth volume from CTC…mehr

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Children’s Theatre Company (CTC), based in Minneapolis, was rated by TIME magazine as the number one children’s theatre in the United States. Serving 250,000 people annually, it has received numerous honors, including the 2003 Tony® Award for Regional Theatre, the Children’s Theater Foundation of America Medallion, and the National Governor’s Association Award. Jeanine Tesori is an American composer and musical arranger. She is the most prolific and renowned female theatrical composer in history, with five Broadway musicals and four Tony nominations. Key Change is the fourth volume from CTC published by the University of Minnesota Press. All were edited by Peter Brosius, CTC’s artistic director since 1997, and Elissa Adams, director of new play development at CTC since 1998.¿
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Children’s Theatre Company (CTC), based in Minneapolis, was rated by TIME magazine as the number one children’s theatre in the United States. Serving 250,000 people annually, it has received numerous honors, including the 2003 Tony® Award for Regional Theatre, the Children’s Theater Foundation of America Medallion, and the National Governor’s Association Award. Jeanine Tesori is an American composer and musical arranger. She is the most prolific and renowned female theatrical composer in history, with five Broadway musicals and four Tony nominations. Key Change is the fourth volume from CTC published by the University of Minnesota Press. All were edited by Peter Brosius, CTC’s artistic director since 1997, and Elissa Adams, director of new play development at CTC since 1998.