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An analysis of spiritual eros in the writings of Søren Kierkegaard. Argues that Kierkegaard uses settings of theatrical and liturgical performance as rhetorical means of eliciting ever greater desire for God. Situates Kierkegaard against the backdrop of the Lutheran tradition and older traditions of negative theology.

Produktbeschreibung
An analysis of spiritual eros in the writings of Søren Kierkegaard. Argues that Kierkegaard uses settings of theatrical and liturgical performance as rhetorical means of eliciting ever greater desire for God. Situates Kierkegaard against the backdrop of the Lutheran tradition and older traditions of negative theology.
Autorenporträt
Carl S. Hughes is Assistant Professor of Theology at Texas Lutheran University.