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Full Length, Black Comedy Characters: 3 male, 2 female Interior Set This exciting first play by the author of August: Osage County premiered at Chicago's Steppenwolfbefore going on to acclaimed productions in London and New York. Hired by the dissolute Smith family to murder the matriarch for insurance money, "Killer Joe" takes the daughter to bed as a retainer against his final payoff which sets in motion a bloody aftermath as the "hit man" meets his match. "Set in Dallas, Killer Joe revels in its white trash stereotypes, and gives you permission to do the same; it's pulp fiction which has it…mehr

Produktbeschreibung
Full Length, Black Comedy Characters: 3 male, 2 female Interior Set This exciting first play by the author of August: Osage County premiered at Chicago's Steppenwolfbefore going on to acclaimed productions in London and New York. Hired by the dissolute Smith family to murder the matriarch for insurance money, "Killer Joe" takes the daughter to bed as a retainer against his final payoff which sets in motion a bloody aftermath as the "hit man" meets his match. "Set in Dallas, Killer Joe revels in its white trash stereotypes, and gives you permission to do the same; it's pulp fiction which has it both ways, deriving humor from dirty realism. It's slick, it's well constructed, it knows exactly where it's going."-New York Daily News
Killer Cop Tony Law meets trailer-park trash Phil Nichol and Lizzie Roper in Tracy Letts' jaw-dropping smash-hit dark comedy. Breath-taking events. Truly shocking behaviour. Thrilling high-energy climax.
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Autorenporträt
TRACY LETTS has been a Steppenwolf ensemble since 2002. He was awarded the 2008 Pulitzer Prize for Drama for his play August: Osage County, which played on Broadway for over a year, following a sold-out run at Steppenwolf in 2007. August also enjoyed a sold-out engagement at London's National Theatre and a U.S. National Tour in summer 2009. Other accolades include five Tony Awards (including Best Play), an Olivier Award and six Jeff Awards (including Best Play). Mr. Letts is also the author of Superior Donuts, which had its world premiere at Steppenwolf in 2008 and opened on Broadway in 2009; Man from Nebraska, which was produced at Steppenwolf in 2003 and was a finalist for a Pulitzer Prize; Killer Joe, which has been produced in Chicago, London and New York; and Bug, which has played in New York, Chicago and London. He has appeared at Steppenwolf in Betrayal, The Pillowman, Last of the Boys, The Pain and the Itch, The Dresser, Homebody/Kabul, The Dazzle, Glengarry Glen Ross (also in Dublin and Toronto), Three Days of Rain, Road to Nirvana, Picasso at the Lapin Agile and the Steppenwolf for Young Adults production of The Glass Menagerie. Other Chicago stage credits include The Caine Mutiny Court-Martial (A Red Orchid Theatre), Conquest of the South Pole (Famous Door), Bouncers (the Next Lab) and his directorial debut at the Lookingglass Theatre with Great Men of Science Nos. 21 and 22. He also appeared in Who's Afraid of Virginia Woolf? at Atlanta's Alliance Theatre, directed by ensemble member Amy Morton. Television credits include: The District, Profiler, Prison Break, The Drew Carey Show, Seinfeld and Home Improvement. Film appearances include Guinevere, U.S. Marshals and Chicago Cab.