Knowing Native Arts brings Nancy Marie Mithlo’s Native perspective to understanding the significance of Indigenous arts in national and global settings.
Knowing Native Arts brings Nancy Marie Mithlo’s Native perspective to understanding the significance of Indigenous arts in national and global settings.
Nancy Marie Mithlo (Chiricahua Apache) is a professor of gender studies at the University of California, Los Angeles, and a senior curator and lecturer on Indigenous arts. She has curated Native arts exhibitions at the Venice Biennale, Smithsonian National Museum of the American Indian, and the IAIA Museum of Contemporary Native Arts. She is the editor of Manifestations: New Native Art Criticism and For a Love of His People: The Photography of Horace Poolaw.
Inhaltsangabe
List of Illustrations Acknowledgments Introduction: Dangerous for the Heart 1. “The Manner in Which Knowledge Grows” 2. Native Arts’ Visual Remix 3. Indigenous Arts Movements at Home and Abroad 4. On the Other Side of the Ocean 5. Postidentity Claims, Realism, and Radical Restructuring 6. The Encyclopedic Gaze 7. Decentering Durham 8. American Indians and Museums: The Love/Hate Relationship Conclusion: The Good Fight Notes
List of Illustrations Acknowledgments Introduction: Dangerous for the Heart 1. “The Manner in Which Knowledge Grows” 2. Native Arts’ Visual Remix 3. Indigenous Arts Movements at Home and Abroad 4. On the Other Side of the Ocean 5. Postidentity Claims, Realism, and Radical Restructuring 6. The Encyclopedic Gaze 7. Decentering Durham 8. American Indians and Museums: The Love/Hate Relationship Conclusion: The Good Fight Notes
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