This volume reframes recent scholarship on 'cultures of knowledge and discernment' in the early modern period. The collection is innovative in its focus on investigating types of knowledge linked to the 'science' (scientia) of art, to artistic expertise and connoisseurship, and 'secrets of art and nature.'
This volume reframes recent scholarship on 'cultures of knowledge and discernment' in the early modern period. The collection is innovative in its focus on investigating types of knowledge linked to the 'science' (scientia) of art, to artistic expertise and connoisseurship, and 'secrets of art and nature.'
Sven Dupré is Professor of History of Art, Science and Technology at the Faculty of Humanities at Utrecht University and the University of Amsterdam, The Netherlands. Christine Göttler is Professor of Art History at the University of Bern, Switzerland.
Inhaltsangabe
Table of Contents Illustrations Notes on Contributors Acknowledgments Introduction: Hidden Artifices Sven Dupré and Christine Göttler Part I: Sites of Discernment 1 Transforming Nature into Art: Fall of the Rebel Angels (1562) by Pieter Bruegel the Elder Tine Luk Meganck 2 Vulcan's Forge: The Sphere of Art in Early Modern Antwerp Christine Göttler Part II: Artifices and Imitation 3 Superb Craftsmanship in Antwerp: Baroque Goldsmiths' Work in Competition with the Visual Arts Lorenz Seelig 4 The Veronica according to Zurbarán: Painting as Figura, and Image as Vestigio Felipe Pereda 5 'The Various Natures of Middling Colours We May Learne of Painters'. Sir Kenelm Digby Looks at Rubens and Van Dyck Karin Leonhard Part III: Secrets and Knowledge 6 Oil Painting as a Workshop Secret: On Calumnies, Legends, and Critical Investigations Oskar Bätschmann 7 Peiresc in the Parisian 'Jewel House' Peter N. Miller 8 Germanic Antiquity in Rembrandt's Circle Thijs Weststeijn Part IV: Mechanical Science and Technique 9 Rembrandt and Painting as a Mechanical Science in Dutch Seventeenth-Century Art Jan Blanc 10 From Mechanism to Technique: Diderot, Chardin, and the Practice of Painting Paul Taylor
Table of Contents Illustrations Notes on Contributors Acknowledgments Introduction: Hidden Artifices Sven Dupré and Christine Göttler Part I: Sites of Discernment 1 Transforming Nature into Art: Fall of the Rebel Angels (1562) by Pieter Bruegel the Elder Tine Luk Meganck 2 Vulcan's Forge: The Sphere of Art in Early Modern Antwerp Christine Göttler Part II: Artifices and Imitation 3 Superb Craftsmanship in Antwerp: Baroque Goldsmiths' Work in Competition with the Visual Arts Lorenz Seelig 4 The Veronica according to Zurbarán: Painting as Figura, and Image as Vestigio Felipe Pereda 5 'The Various Natures of Middling Colours We May Learne of Painters'. Sir Kenelm Digby Looks at Rubens and Van Dyck Karin Leonhard Part III: Secrets and Knowledge 6 Oil Painting as a Workshop Secret: On Calumnies, Legends, and Critical Investigations Oskar Bätschmann 7 Peiresc in the Parisian 'Jewel House' Peter N. Miller 8 Germanic Antiquity in Rembrandt's Circle Thijs Weststeijn Part IV: Mechanical Science and Technique 9 Rembrandt and Painting as a Mechanical Science in Dutch Seventeenth-Century Art Jan Blanc 10 From Mechanism to Technique: Diderot, Chardin, and the Practice of Painting Paul Taylor
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