"Korean media has exploded in popularity across the globe in the past decade. This edited collection examines ways that fans from very different racial and cultural backgrounds have engaged with Korean popular media in local contexts, revealing complex transcultural affinities, conflicts, and negotiations"--
"Korean media has exploded in popularity across the globe in the past decade. This edited collection examines ways that fans from very different racial and cultural backgrounds have engaged with Korean popular media in local contexts, revealing complex transcultural affinities, conflicts, and negotiations"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
David C. Oh is associate professor at Syracuse University in the Newhouse School of Public Communications. His books include Whitewashing the Movies: White Subjectivity and Asian Erasure in U.S. Film Culture. Benjamin M. Han is associate professor in the Department of Entertainment and Media Studies at the University of Georgia. He is author of Beyond the Black and White TV: Asian and Latin American Spectacle in Cold War America. Contributors: Crystal S. Anderson, Woori Han, Laura-Zoë Humphreys, Young Jung, Rebecca Chiyoko King-O'Riain, Donna Lee Kwon, Min Joo Lee, Irina Lyan, Moisés Park, and Julia Trzci¿ska
Inhaltsangabe
DRAFT Introduction, by David C. Oh & Benjamin M. Han Part I. Transcultural Affinity, Excess, and Contradiction Chapter 1. The Road to Fandom: Joy and Black "Fans" in K-pop, by Crystal S. Anderson Chapter 2. Between Appreciation and Appropriation: Race-Transitioning among Hallyu Fans, by Min Joo Lee Chapter 3. Korean Romance for Wholesomeness and Racism? The Transcultural Reception of the Reality Dating Show Single's Inferno, by Woori Han Chapter 4. K-pop and the Racialization of Asian American Popular Musicians, by Donna Lee Kwon Chapter 5. "Soft" Koreans and "Sensual" Cubans: Race, Gender, and the Reception of South Korean Popular Culture in Cuba, by Laura-Zoë Humphreys Part II. Intersectional Connection and Imaginaries Chapter 6. Latin Orientalism and Anglo Hegemony in Korean Rock: Seo Taiji's "Moai" (2009), by Moisés Park Chapter 7. "I Was Probably Korean in a Previous Life": Transracial Jokes and Fantasies of Hallyu Fans, by Irina Lyan Chapter 8. Hallyu Dreaming: Making Sense of Race and Gender in K-dramas in the US Midwest and Ireland, by Rebecca Chiyoko King-O'Riain Chapter 9. When K-pop Meets Islam: Cultural Appropriation and Fan Engagement, by Young Jung Chapter 10. "I Can Do Both": Queering K-pop Idols through the White Discursive Standpoint of TikTok Users, by Julia Trzci¿ska & David C. Oh
DRAFT Introduction, by David C. Oh & Benjamin M. Han Part I. Transcultural Affinity, Excess, and Contradiction Chapter 1. The Road to Fandom: Joy and Black "Fans" in K-pop, by Crystal S. Anderson Chapter 2. Between Appreciation and Appropriation: Race-Transitioning among Hallyu Fans, by Min Joo Lee Chapter 3. Korean Romance for Wholesomeness and Racism? The Transcultural Reception of the Reality Dating Show Single's Inferno, by Woori Han Chapter 4. K-pop and the Racialization of Asian American Popular Musicians, by Donna Lee Kwon Chapter 5. "Soft" Koreans and "Sensual" Cubans: Race, Gender, and the Reception of South Korean Popular Culture in Cuba, by Laura-Zoë Humphreys Part II. Intersectional Connection and Imaginaries Chapter 6. Latin Orientalism and Anglo Hegemony in Korean Rock: Seo Taiji's "Moai" (2009), by Moisés Park Chapter 7. "I Was Probably Korean in a Previous Life": Transracial Jokes and Fantasies of Hallyu Fans, by Irina Lyan Chapter 8. Hallyu Dreaming: Making Sense of Race and Gender in K-dramas in the US Midwest and Ireland, by Rebecca Chiyoko King-O'Riain Chapter 9. When K-pop Meets Islam: Cultural Appropriation and Fan Engagement, by Young Jung Chapter 10. "I Can Do Both": Queering K-pop Idols through the White Discursive Standpoint of TikTok Users, by Julia Trzci¿ska & David C. Oh
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