Kulturhistoriska Studier (1881) - Strindberg, August
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Kulturhistoriska Studier (1881) is a book written by the famous Swedish author, August Strindberg. The title of the book translates to ""Cultural Historical Studies"" in English. The book is a collection of essays that explore various aspects of culture and history, including literature, art, music, and philosophy. Strindberg's writing is known for its insightful and often controversial commentary on society and culture, and this book is no exception. In Kulturhistoriska Studier, Strindberg offers his unique perspective on topics such as the role of women in society, the relationship between…mehr

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Produktbeschreibung
Kulturhistoriska Studier (1881) is a book written by the famous Swedish author, August Strindberg. The title of the book translates to ""Cultural Historical Studies"" in English. The book is a collection of essays that explore various aspects of culture and history, including literature, art, music, and philosophy. Strindberg's writing is known for its insightful and often controversial commentary on society and culture, and this book is no exception. In Kulturhistoriska Studier, Strindberg offers his unique perspective on topics such as the role of women in society, the relationship between art and politics, and the influence of religion on culture. The book is a fascinating exploration of the cultural and historical context of Sweden and Europe in the late 19th century, and it remains a valuable resource for anyone interested in the history of culture and ideas.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
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Autorenporträt
Johan August Strindberg was a Swedish dramatist, novelist, poet, essayist, and painter. During his four-decade career, Strindberg created more than sixty plays and over thirty books of fiction, autobiography, history, cultural analysis, and politics, frequently drawing directly on his own experiences. He was a daring innovator and iconoclast who experimented with a variety of dramatic methods and objectives, including naturalistic tragedy, monodrama, and history plays, as well as his foreshadowing of expressionist and surrealist theatrical tactics. Strindberg pioneered new approaches to dramatic action, vocabulary, and visual composition beginning with his early work. In 1872, the Royal Theatre rejected his first major play, Master Olof; it was not until 1881, at the age of thirty-two, that its premiere at the New Theatre provided him with his theatrical breakthrough. In his plays The Father (1887), Miss Julie (1888), and Creditors (1889), he created naturalistic dramas that - building on the established accomplishments of Henrik Ibsen's prose problem plays while rejecting their use of the structure of the well-made play - responded to Emile Zola's manifesto "Naturalism in the Theatre" (1881) and the example set by André Antoine's newly established Théâtre Libre (opened 1887).