L' Heure Bleue - Gabbert, Elisa
15,99 €
inkl. MwSt.

Versandfertig in 2-4 Wochen
  • Broschiertes Buch

Poetry. Drama. Elisa Gabbert's L'HEURE BLEUE, OR THE JUDY POEMS, goes inside the mind of Judy, one of three characters in Wallace Shawn's The Designated Mourner, a play about the dissolution of a marriage in the midst of political revolution. In these poems, Gabbert imagines a back story and an emotional life for Judy beyond and outside the play. Written in a voice that is at once intellectual and unselfconscious, these poems create a character study of a many-layered woman reflected in solitude, while engaging with larger questions of memory, identity, desire, surveillance, and fear.

Andere Kunden interessierten sich auch für
Produktbeschreibung
Poetry. Drama. Elisa Gabbert's L'HEURE BLEUE, OR THE JUDY POEMS, goes inside the mind of Judy, one of three characters in Wallace Shawn's The Designated Mourner, a play about the dissolution of a marriage in the midst of political revolution. In these poems, Gabbert imagines a back story and an emotional life for Judy beyond and outside the play. Written in a voice that is at once intellectual and unselfconscious, these poems create a character study of a many-layered woman reflected in solitude, while engaging with larger questions of memory, identity, desire, surveillance, and fear.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
Elisa Gabbert is the author of five collections of poetry, essays, and criticism: The Unreality of Memory & Other Essays, forthcoming in August 2020 from FSG Originals (available for preorder now) and Atlantic UK; The Word Pretty (Black Ocean, 2018); L'Heure Bleue, or the Judy Poems (Black Ocean, 2016); The Self Unstable (Black Ocean, 2013); and The French Exit (Birds LLC, 2010). The Word Pretty was a New York Times Editors' Pick, and The Self Unstable was chosen by the New Yorker as one of the best books of 2013. She writes a regular poetry column for the New York Times, and her work has appeared in Harper's, The New Yorker, the New York Times Magazine and Book Review, the New York Review of Books, the Guardian Long Read, the London Review of Books, A Public Space, the Paris Review Daily, American Poetry Review, and many other venues.