"It was through the failed beachfront resort development of 1923 that the tiny enclave of Punta, California, was renamed La Conchita del Mar and promoted as a seaside paradise. La Conchita, however, was destined to become a different kind of paradise. Abandoned by wealthy investors, it was settled by Filipino farmhands, Mexican railroad workers, and white oil workers, and became a unique, multicultural, working-class neighborhood ..."--Back cover
"It was through the failed beachfront resort development of 1923 that the tiny enclave of Punta, California, was renamed La Conchita del Mar and promoted as a seaside paradise. La Conchita, however, was destined to become a different kind of paradise. Abandoned by wealthy investors, it was settled by Filipino farmhands, Mexican railroad workers, and white oil workers, and became a unique, multicultural, working-class neighborhood ..."--Back coverHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
BONNIE G. KELM served as an associate professor of art history and museum director at Miami University (Ohio), the College of William & Mary, and the University of California, Santa Barbara, over a thirty-year period. She was a Fulbright Scholar and the recipient of a NEH Fellowship, among other honors. Among the author's best-known publications is Georgia O'Keeffe in Williamsburg (co-authored with Ann Madonia), a critically acclaimed study that details her discovery and recreation of a previously unknown 1938 exhibition by the famed artist. Other publications include the jointly authored Greater Carpinteria, Summerland, and La Conchita, and Madge Tennent: Contested Images from Paradise in Modernism, Gender, and Culture.
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