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"It was through the failed beachfront resort development of 1923 that the tiny enclave of Punta, California, was renamed La Conchita del Mar and promoted as a seaside paradise. La Conchita, however, was destined to become a different kind of paradise. Abandoned by wealthy investors, it was settled by Filipino farmhands, Mexican railroad workers, and white oil workers, and became a unique, multicultural, working-class neighborhood ..."--Back cover

Produktbeschreibung
"It was through the failed beachfront resort development of 1923 that the tiny enclave of Punta, California, was renamed La Conchita del Mar and promoted as a seaside paradise. La Conchita, however, was destined to become a different kind of paradise. Abandoned by wealthy investors, it was settled by Filipino farmhands, Mexican railroad workers, and white oil workers, and became a unique, multicultural, working-class neighborhood ..."--Back cover
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Autorenporträt
BONNIE G. KELM served as an associate professor of art history and museum director at Miami University (Ohio), the College of William & Mary, and the University of California, Santa Barbara, over a thirty-year period. She was a Fulbright Scholar and the recipient of a NEH Fellowship, among other honors. Among the author's best-known publications is Georgia O'Keeffe in Williamsburg (co-authored with Ann Madonia), a critically acclaimed study that details her discovery and recreation of a previously unknown 1938 exhibition by the famed artist. Other publications include the jointly authored Greater Carpinteria, Summerland, and La Conchita, and Madge Tennent: Contested Images from Paradise in Modernism, Gender, and Culture.