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"Graphic designer Sonya MacTavish is stunned to learn that her late father had a twin he never knew about--and that her newly discovered uncle, Collin Poole, has left her almost everything he owned, including a majestic Victorian house on the Maine coast, which the will stipulates she must live in it for at least three years. Her engagement recently broken, she sets off to find out why the boys were separated at birth-and why it was all kept secret until a genealogy website brought it to light. Trey, the young lawyer who greets her at the sprawling clifftop manor, notes Sonya's unease-and…mehr

Produktbeschreibung
"Graphic designer Sonya MacTavish is stunned to learn that her late father had a twin he never knew about--and that her newly discovered uncle, Collin Poole, has left her almost everything he owned, including a majestic Victorian house on the Maine coast, which the will stipulates she must live in it for at least three years. Her engagement recently broken, she sets off to find out why the boys were separated at birth-and why it was all kept secret until a genealogy website brought it to light. Trey, the young lawyer who greets her at the sprawling clifftop manor, notes Sonya's unease-and acknowledges that yes, the place is haunted...but just a little. Sure enough, Sonya finds objects moved and music playing out of nowhere. She sees a painting by her father inexplicably hanging in her deceased uncle's office, and a portrait of a woman named Astrid, whom the lawyer refers to as "the first lost bride." It's becoming clear that Sonya has inherited far more than a house. She has inherited a centuries-old curse, and a puzzle to be solved if there is any hope of breaking it"--
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Autorenporträt
Nora Roberts, la autora número 1 en ventas de The New York Times y «la escritora favorita de los Estados Unidos', como la describió la revista The New Yorker, comentó en una ocasión: «Yo no escribo sobre Cenicientas que esperan sentadas a que venga a salvarlas su príncipe azul. Ellas se bastan y se sobran para salir adelante solas. El "príncipe" es como la paga extra, un complemento, algo más... pero no la única respuesta a sus problemas'. Más de quinientos millones de ejemplares impresos de sus libros avalan la complicidad que Nora Roberts consigue establecer con mujeres de todo el mundo. El éxito de sus novelas es indudable, y quienes la leen una vez, repiten. Sabe hablar a las mujeres de hoy sobre sí mismas: sus lectoras son profesionales, fuertes e independientes, como los personajes que crea en sus libros, y sus historias llegan a un público femenino muy amplio porque son mucho más que novelas románticas. Las cifras son fenomenales: Nora Roberts ha escrito más de 180 novelas que se publican en 34 países, se venden unas 27 novelas suyas cada minuto y 59 han debutado en la primera semana de ventas en el codiciado número 1 de The New York Times.