This book has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.
This book has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.
Ludovic Halévy (1834 - 1908) was a French author and playwright. In 1865, Ludovic Halévy's increasing popularity as an author enabled him to retire from the public service. Ten years earlier, he had become acquainted with the musician Offenbach, who was about to start a small theatre of his own in the Champs-Élysées and he wrote a sort of prologue, Entrez, messieurs, mesdames, for the opening night. Other little productions followed, Ba-ta-clan being the most noticeable among them. They were produced under the pseudonym of Jules Servières. The name of Ludovic Halévy appeared for the first time on the bills on 1 January 1856. Soon afterwards, the unprecedented run of Orphée aux enfers, a musical parody, written in collaboration with Hector Crémieux, made his name famous. In the spring of 1860, he was commissioned to write a play for the manager of the Variétés in conjunction with another vaudevillist, Lambert-Thiboust.
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