The author analyzes how the concept of labor as a calling, which was assisted by early modern experiments in democracy, print, and Protestant religion, had a lasting effect on the history of authorship as a profession. In so doing, she reveals the construction of an approach to early modern authorship that values diligence.
The author analyzes how the concept of labor as a calling, which was assisted by early modern experiments in democracy, print, and Protestant religion, had a lasting effect on the history of authorship as a profession. In so doing, she reveals the construction of an approach to early modern authorship that values diligence.
Laurie Ellinghausen is associate professor in the UMKC Department of English Language and Literature, University of Missouri-Kancis City.
Inhaltsangabe
Contents: Introduction: forging authorship 'Tis all I have': print authorship and occupational identity in Isabella Whitney's A Sweet Nosgay The uses of resentment: Nashe, Parnassus, and the poet's mystery 'Laborious, yet not base': Jonson, Vulcan, and poetic labor The new bourgeois hero: the individualist project of John Taylor 'the water poet' 'One line a day': George Wither's process Bibliography Index.
Contents: Introduction: forging authorship 'Tis all I have': print authorship and occupational identity in Isabella Whitney's A Sweet Nosgay The uses of resentment: Nashe, Parnassus, and the poet's mystery 'Laborious, yet not base': Jonson, Vulcan, and poetic labor The new bourgeois hero: the individualist project of John Taylor 'the water poet' 'One line a day': George Wither's process Bibliography Index.
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