Lady Windermere's Fan - Wilde, Oscar
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"Lady Windermere's Fan, A Play About a Good Woman" is a play in four-acts by Oscar Wilde, first produced in 1892. It is a tale of scandal and the fall of a woman from grace in a hypocritical and absurdly contradictory high society. A sharp comedy packed full of the cutting witticisms and powerful aphorisms for which Wilde is famous, "Lady Windermere's Fan" is not to be missed by fans of the stage and of Wilde's seminal work in particular. Oscar Fingal O'Flahertie Wills Wilde (16 October 1854 - 30 November 1900) was an Irish novelist, playwright, poet, and essayist. Although he produced work in…mehr

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Produktbeschreibung
"Lady Windermere's Fan, A Play About a Good Woman" is a play in four-acts by Oscar Wilde, first produced in 1892. It is a tale of scandal and the fall of a woman from grace in a hypocritical and absurdly contradictory high society. A sharp comedy packed full of the cutting witticisms and powerful aphorisms for which Wilde is famous, "Lady Windermere's Fan" is not to be missed by fans of the stage and of Wilde's seminal work in particular. Oscar Fingal O'Flahertie Wills Wilde (16 October 1854 - 30 November 1900) was an Irish novelist, playwright, poet, and essayist. Although he produced work in many forms, he is best remembered for being one of London's most popular playwrights in the early 1890s, as well as for his world-famous novel "The Picture of Dorian Gray". Other notable works by this author include: "The Happy Prince and Other Stories" (1888), "A Woman of No Importance" (1893), and "The Importance of Being Earnest" (1898). Read & Co. Classics is proudly republishing this work now in a new edition complete with a specially-commissioned new biography of the author.
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Autorenporträt
In contrast to much theatre of the time, The Importance of Being Earnest's light plot does not tackle serious social and political issues, something of which contemporary reviewers were wary. Though unsure of Wilde's seriousness as a dramatist, they recognized the play's cleverness, humour and popularity with audiences. Bernard Shaw, for example, reviewed the play in the Saturday Review, arguing that comedy should touch as well as amuse, "I go to the theatre to be moved to laughter." Later in a letter he said, the play, though "extremely funny," was Wilde's "first really heartless one." In The World, William Archer wrote that he had enjoyed watching the play but found it to be empty of meaning, "What can a poor critic do with a play which raises no principle, whether of art or morals, creates its own canons and conventions, and is nothing but an absolutely wilful expression of an irrepressibly witty personality?"
Oscar Wilde