Lammas Alanna - Martin, William
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William Martin's poetry is inspired by the social, cultural, and religious life of Northumbria, past and present. He builds his world from myth, from Anglo-Saxon literature and art, children's games, ballads, and street songs, as well as, from the history and struggles of pit communities. His poems show both political anger and a wide concern for a society that is losing its common ground, its rituals, and rites of passage.

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Produktbeschreibung
William Martin's poetry is inspired by the social, cultural, and religious life of Northumbria, past and present. He builds his world from myth, from Anglo-Saxon literature and art, children's games, ballads, and street songs, as well as, from the history and struggles of pit communities. His poems show both political anger and a wide concern for a society that is losing its common ground, its rituals, and rites of passage.
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Autorenporträt
William Martin (1925-2010) was born in New Silksworth, Co. Durham. During the Second World War, he was a radio technician in the RAF, based near Karachi, where he was inspired by the Eastern religious and philosophical traditions. After being demobbed he became a gas fitter and later served in the Audiology Department of Sunderland Royal Infirmary, retiring as Head of Department. He lived in Sunderland since the 1950s. He was an active member of CND for many years, taking part in the ritual boarding of nuclear submarines in Holy Loch, Scotland in 1961. He became an artist and had work purchased and exhibited by Sunderland Art Gallery. However, oil paints and a young family were not an easy combination, and poetry became his medium from the mid 1960s onwards. For some years he wrote without any recognition, but in 1971 he had a book of poetry published to commemorate the Wearmouth 1300 Festival (Tidings of our Bairnsea). This was later followed by Cracknrigg (1983) and Hinny Beata (1987) with Taxus, and Marra Familia (1993) and Lammas Alanna (2000) with Bloodaxe.