Andrew Hemingway is Emeritus Professor in History of Art at University College London. His books include Landscape Imagery and Urban Culture in Early Nineteenth-Century Britain (Cambridge University Press, 1992) and The Mysticism of Money: Precisionist Painting and Machine Age America (Periscope Publishing, 2013).
Inhaltsangabe
List of Illustrations ... vii Acknowledgements ... xi Sources and Occasions ... xii Introduction: Theoretical Apologia ... 1 Aesthetics and Ideology 1 The Science of Taste in the Eighteenth Century: Philosophical Criticism and the Scottish Historical School ... 41 2 Academic Theory versus Association Aesthetics: The Ideological Forms of a Conflict of Interests in the Early Nineteenth Century ... 86 3 Bourgeois Critiques of the Monopoly of Taste ... 114 4 Genius, Gender, and Progress: Benthamism and the Arts in the 1820s ... 150 5 Cultural Philanthropy and the Invention of the Norwich School ... 181 Landscape and Ideology 6 Meaning in Cotman's Norfolk Subjects ... 217 7 Sheep as a Pictorial Motif: Pastoral and Counter-Pastoral ... 246 8 Artisanal Worldview in the Paintings of John Crome ... 297 9 John Crome's 'Local Scenery': Iconography and the Ideology of the Picturesque ... 336 10 Constable and his Audience: An Argument for Iconography ... 387 11 The Field of Waterloo Exposed: Turner, Byron, and the Politics of Reaction ... 420 Coda: Regarding Art History ... 459 Bibliography ... 464 Index ... 492
List of Illustrations ... vii Acknowledgements ... xi Sources and Occasions ... xii Introduction: Theoretical Apologia ... 1 Aesthetics and Ideology 1 The Science of Taste in the Eighteenth Century: Philosophical Criticism and the Scottish Historical School ... 41 2 Academic Theory versus Association Aesthetics: The Ideological Forms of a Conflict of Interests in the Early Nineteenth Century ... 86 3 Bourgeois Critiques of the Monopoly of Taste ... 114 4 Genius, Gender, and Progress: Benthamism and the Arts in the 1820s ... 150 5 Cultural Philanthropy and the Invention of the Norwich School ... 181 Landscape and Ideology 6 Meaning in Cotman's Norfolk Subjects ... 217 7 Sheep as a Pictorial Motif: Pastoral and Counter-Pastoral ... 246 8 Artisanal Worldview in the Paintings of John Crome ... 297 9 John Crome's 'Local Scenery': Iconography and the Ideology of the Picturesque ... 336 10 Constable and his Audience: An Argument for Iconography ... 387 11 The Field of Waterloo Exposed: Turner, Byron, and the Politics of Reaction ... 420 Coda: Regarding Art History ... 459 Bibliography ... 464 Index ... 492
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