A stimulating introduction, this book explores the concept of 'landscape' in theories and writings of the last twenty to thirty years, to aid students in fully comprehending this vast and complex topic.
A stimulating introduction, this book explores the concept of 'landscape' in theories and writings of the last twenty to thirty years, to aid students in fully comprehending this vast and complex topic.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
DR JOHN WYLIE is Senior Lecturer in Cultural Geography in the School of Geography, Archaeology and Earth Resources at the University of Exeter. His research and teaching focuses upon landscape, the body and creative critical practice in cultural geography
Inhaltsangabe
1. Introduction 1.1 Tensions 1.2 Aims and Structures of Landscape 1.3 Conclusion: Looking Forward 2. Landscaping Traditions 2.1 Introduction 2.2 Carl Sauer and Cultural Landscape 2.3 W.G. Hoskins: Landscape, Nostalgia and Melancholy 2.4 J.B. Jackson and 'Vernacular' Landscape 2.5 Conclusion 3. Ways of Seeing 3.1 Introduction 3.2 Landscape and Linear Perspective: Art, Geometry, Optics 3.3 Cultural Marxism, Art History and Landscape 3.4 Cultural Marxism and Cultural Geography: Landscape as 'Veil' 3.5 Landscape as Text: Semiotics and the Construction of Cultural Meaning 3.6 Feminism and Psychoanalysis: Landscape as Gaze 3.7 Discussion and Summary 4. Cultures of Landscape 4.1 Introduction 4.2 Material Anxieties 4.3 Landscape, Production and Labour 4.4 Cultures of Landscape: The Self, Power and Discourse 4.5 Landscape, Travel and Imperialism 4.6 Conclusion 5. Landscape Phenomenology 5.1 Introduction 5.2 Introducing Phenomenology: From Disembodied Gaze to Lived Body 5.3 Landscape and Dwelling 5.4 'Landscaping': Phenomenology, Non-representational Theory and Performance 5.5 Critiques of Landscape Phenomenology 5.6 Conclusion 6. Prospects for Landscape 6.1 Introduction 6.2 Memory, Identity, Conflict and Justice 6.3 Landscape and Polity and Law 6.4 The Ends of Landscape?: Relationality, Vitalism and Topological 6.5 Landscape Writing: Biography, Movement, Presence and Affect 6.6 Conclusion: Creative Tensions
1. Introduction 1.1 Tensions 1.2 Aims and Structures of Landscape 1.3 Conclusion: Looking Forward 2. Landscaping Traditions 2.1 Introduction 2.2 Carl Sauer and Cultural Landscape 2.3 W.G. Hoskins: Landscape, Nostalgia and Melancholy 2.4 J.B. Jackson and 'Vernacular' Landscape 2.5 Conclusion 3. Ways of Seeing 3.1 Introduction 3.2 Landscape and Linear Perspective: Art, Geometry, Optics 3.3 Cultural Marxism, Art History and Landscape 3.4 Cultural Marxism and Cultural Geography: Landscape as 'Veil' 3.5 Landscape as Text: Semiotics and the Construction of Cultural Meaning 3.6 Feminism and Psychoanalysis: Landscape as Gaze 3.7 Discussion and Summary 4. Cultures of Landscape 4.1 Introduction 4.2 Material Anxieties 4.3 Landscape, Production and Labour 4.4 Cultures of Landscape: The Self, Power and Discourse 4.5 Landscape, Travel and Imperialism 4.6 Conclusion 5. Landscape Phenomenology 5.1 Introduction 5.2 Introducing Phenomenology: From Disembodied Gaze to Lived Body 5.3 Landscape and Dwelling 5.4 'Landscaping': Phenomenology, Non-representational Theory and Performance 5.5 Critiques of Landscape Phenomenology 5.6 Conclusion 6. Prospects for Landscape 6.1 Introduction 6.2 Memory, Identity, Conflict and Justice 6.3 Landscape and Polity and Law 6.4 The Ends of Landscape?: Relationality, Vitalism and Topological 6.5 Landscape Writing: Biography, Movement, Presence and Affect 6.6 Conclusion: Creative Tensions
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