This volume continues the recent trend towards expanding definitions of war experience through considering a range of different landscapes and voices. Not all landscapes were comprised of trenches and barbed wire. Voices, supporting or dissenting, were many and varied. Collectively, they combine to offer fresh insights into the multiplicity of war experience, alternate spaces to the familiar tropes of mud and mayhem.
This volume continues the recent trend towards expanding definitions of war experience through considering a range of different landscapes and voices. Not all landscapes were comprised of trenches and barbed wire. Voices, supporting or dissenting, were many and varied. Collectively, they combine to offer fresh insights into the multiplicity of war experience, alternate spaces to the familiar tropes of mud and mayhem.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Angela K. Smith is an Associate Professor (Reader) at Plymouth University. Krista Cowman is Professor of History in the School of History and Heritage, University of Lincoln.
Inhaltsangabe
Introduction [Angela K. Smith and Krista Cowman] Part I: Real and Imagined Spaces 1. "Funny Men and Charming Girls": Revue and the Theatrical Landscape of 1914-1918 [Andrew Maunder] 2. "When Words Are Not Enough": The Aural Landscape of Britain's Modern Memory of 1914-18 [Emma Hanna] 3. Maisons de Tolérance: The Real and Imagined Sexual Landscapes of the Western Front [Krista Cowman] 4. "The Delightful Sense of Personal Contact That Your Letter Aroused": Letters and Intimate Lives in the First World War [Carol Acton] Part II: Voices 5. "A Certain Poetess": Recuperating Jessie Pope (1868-1941) [Jane Potter] 6. Ventriloquizing Voices in World War I: Scribe, Poetess, Philosopher [Margaret R. Higonnet] 7. Pacifist Writer, Propagandist Publisher: Rose Macaulay and Hodder & Stoughton [Lise Jaillant] 8. From Collusion to Condemnation: The Evolving Voice of "Woodbine Willie" [Stuart Bell] Part III: Landscapes 9. Camels, Catacombs and Pyramids: First World War Nursing Narratives in the Middle East [Nadia Atia] 10. Cars in the Desert: Claud H. Williams, S.C. Rolls and the Anglo-Sanusi War [Lisa Regan] 11. Murmurs of War: Grace Fallow Norton and "The Red Road" [Hazel Hutchison] 12. Landscapes of Memory in Centenary Fiction [Angela K. Smith]
Introduction [Angela K. Smith and Krista Cowman] Part I: Real and Imagined Spaces 1. "Funny Men and Charming Girls": Revue and the Theatrical Landscape of 1914-1918 [Andrew Maunder] 2. "When Words Are Not Enough": The Aural Landscape of Britain's Modern Memory of 1914-18 [Emma Hanna] 3. Maisons de Tolérance: The Real and Imagined Sexual Landscapes of the Western Front [Krista Cowman] 4. "The Delightful Sense of Personal Contact That Your Letter Aroused": Letters and Intimate Lives in the First World War [Carol Acton] Part II: Voices 5. "A Certain Poetess": Recuperating Jessie Pope (1868-1941) [Jane Potter] 6. Ventriloquizing Voices in World War I: Scribe, Poetess, Philosopher [Margaret R. Higonnet] 7. Pacifist Writer, Propagandist Publisher: Rose Macaulay and Hodder & Stoughton [Lise Jaillant] 8. From Collusion to Condemnation: The Evolving Voice of "Woodbine Willie" [Stuart Bell] Part III: Landscapes 9. Camels, Catacombs and Pyramids: First World War Nursing Narratives in the Middle East [Nadia Atia] 10. Cars in the Desert: Claud H. Williams, S.C. Rolls and the Anglo-Sanusi War [Lisa Regan] 11. Murmurs of War: Grace Fallow Norton and "The Red Road" [Hazel Hutchison] 12. Landscapes of Memory in Centenary Fiction [Angela K. Smith]
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