Andere Kunden interessierten sich auch für
![An Uncommon Tongue]( "An Uncommon Tongue")
An Uncommon Tongue27,99 €![The Language of Jane Austen (Routledge Revivals)]( "The Language of Jane Austen (Routledge Revivals)")
The Language of Jane Austen (Routledge Revivals)65,99 €![Conspiracy, Revolution, and Terrorism from Victorian Fiction to the Modern Novel]( "Conspiracy, Revolution, and Terrorism from Victorian Fiction to the Modern Novel")
Conspiracy, Revolution, and Terrorism from Victorian Fiction to the Modern Novel42,99 €![The Language of Fiction]( "The Language of Fiction")
The Language of Fiction37,99 €![Mothers and Other Clowns (Routledge Revivals)]( "Mothers and Other Clowns (Routledge Revivals)")
Mothers and Other Clowns (Routledge Revivals)40,99 €![Playing at Work]( "Playing at Work")
Playing at Work118,99 €![Popular Culture, New Media and Digital Literacy in Early Childhood]( "Popular Culture, New Media and Digital Literacy in Early Childhood")
Popular Culture, New Media and Digital Literacy in Early Childhood43,99 €
First published in 1990, Language in Popular Fiction was written to provide a comprehensive and illuminating look at the way language is used in thrillers and romantic fiction.
The book examines the use of language across three interrelated levels: a level of verbal organisation, a level of narrative structure, and a level at which stylistic options and devices are related to notions of gender. It introduces 'the protocol of pulchritude' and makes use of detailed stylistic and linguistic analysis to investigate a wide range of 'popfiction' and 'magfiction'. In doing so, it provokes serious reflection on popular fiction and its claims on the reader.
The book examines the use of language across three interrelated levels: a level of verbal organisation, a level of narrative structure, and a level at which stylistic options and devices are related to notions of gender. It introduces 'the protocol of pulchritude' and makes use of detailed stylistic and linguistic analysis to investigate a wide range of 'popfiction' and 'magfiction'. In doing so, it provokes serious reflection on popular fiction and its claims on the reader.