In this collection of her finest and best-known short essays, Natalia Ginzburg explores both the mundane details and inescapable catastrophes of personal life with the grace and wit that have assured her rightful place in the pantheon of classic mid-century authors. Whether she writes of the loss of a friend, Cesare Pavese; or what is inexpugnable of World War II; or the Abruzzi, where she and her first husband lived in forced residence under Fascist rule; or the importance of silence in our society; or her vocation as a writer; or even a pair of worn-out shoes, Ginzburg brings to her…mehr
In this collection of her finest and best-known short essays, Natalia Ginzburg explores both the mundane details and inescapable catastrophes of personal life with the grace and wit that have assured her rightful place in the pantheon of classic mid-century authors. Whether she writes of the loss of a friend, Cesare Pavese; or what is inexpugnable of World War II; or the Abruzzi, where she and her first husband lived in forced residence under Fascist rule; or the importance of silence in our society; or her vocation as a writer; or even a pair of worn-out shoes, Ginzburg brings to her reflections the wisdom of a survivor and the spare, wry, and poetically resonant style her readers have come to recognize.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Natalia Ginzburg (Palermo, 1916¿-¿Roma, 1991) es una de las voces más singulares de la literatura italiana del siglo xx. Publicó en 1934 su primera narración, a la que siguieron obras teatrales-"Me casé por alegría" (1966; Acantilado, 2018)-, ensayos-el que hoy presentamos (1962; Acantilado, 2002), "Nunca me preguntes" (1970), "Serena cruz o la verdadera justicia" (1990; Acantilado, 2010)-, novelas-"El camino que va a la ciudad y otros relatos" (1942; Acantilado, 2019), "Y eso fue lo que pasó" (1947; Acantilado, 2016), "Nuestros ayeres" (1952), "Valentino" (1957), "Las palabras de la noche" (1961), "Léxico familiar" (1963), "Querido Miguel" (1973; Acantilado, 2003) y "Vita imaginaria" (1974)-, así como la biografía de Antón Chéjov (1989; Acantilado, 2006).
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