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"How to rearrange the world after a death? How much reparation is in every existence from those who preceded it? What voices inhabit us? Adriana, the protagonist of this story, faces several duels while she takes care of her sick father. She has also become a voracious spectator of the lives of others thanks to social media and at the same time a shy consumer of love experiences through a dating app, but this only accentuates her feeling stuck ar of breaking with meaningless inertia often comes from ghosts of the past, and hers ends up breaking fiercely through a house that once embodied the…mehr

Produktbeschreibung
"How to rearrange the world after a death? How much reparation is in every existence from those who preceded it? What voices inhabit us? Adriana, the protagonist of this story, faces several duels while she takes care of her sick father. She has also become a voracious spectator of the lives of others thanks to social media and at the same time a shy consumer of love experiences through a dating app, but this only accentuates her feeling stuck ar of breaking with meaningless inertia often comes from ghosts of the past, and hers ends up breaking fiercely through a house that once embodied the entire universe and a grandmother and a mother who tell some tragic events."--
Autorenporträt
Elvira Navarro (Huelva, 1978) estudió Filosofía en la Universidad Complutense de Madrid. Ha publicado dos libros complementarios, La ciudad en invierno (Caballo de Troya, 2007) y La ciudad feliz (Literatura Random House, 2009), así como la novela La trabajadora (Literatura Random House, 2014). Es también autora del blog Periferia (www.madridesperiferia.blogspot.com), un work in progress sobre los barrios de Madrid. Su obra ha sido galardonada con el Premio Jaén de Novela y el Premio Tormenta al mejor nuevo autor, y quedó finalista del Premio Dulce Chacón de Narrativa Española. En 2010 fue incluida en la lista de los 22 mejores narradores en lengua española menores de treinta y cinco años de la prestigiosa revista Granta. En 2013 fue elegida una de las voces españolas con mayor futuro por la revista El Cultural, y en 2014 la misma revista seleccionó su obra La trabajadora entre las diez mejores novelas en español del año. Durante 2015 ejerció de editora del sello Caballo de Troya.