Last Tide - Zuliani, Andy
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Ana and Win find themselves stuck, lifting the weight of their pasts, while frustrated by their present jobs: photographing vacant lots and decayed industrial sites, cataloguing the decline of capitalist excess to digitally scrub away humanity, making way for more gentrification. When the pair is sent by their employers to a rustic island in the Pacific Northwest--home to hippies, runaways, and survivalist preppers--they meet Lena, an oceanographer and climate scientist, who has moved to the island in search of "the big one," the cataclysmic earthquake and tsunami that she knows is the island…mehr

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Produktbeschreibung
Ana and Win find themselves stuck, lifting the weight of their pasts, while frustrated by their present jobs: photographing vacant lots and decayed industrial sites, cataloguing the decline of capitalist excess to digitally scrub away humanity, making way for more gentrification. When the pair is sent by their employers to a rustic island in the Pacific Northwest--home to hippies, runaways, and survivalist preppers--they meet Lena, an oceanographer and climate scientist, who has moved to the island in search of "the big one," the cataclysmic earthquake and tsunami that she knows is the island and the West Coast's due; and Kitt, an athleisure clothing mogul, who is overseeing the construction of a vacation home that will serve as his apocalypse-shelter. These four people's lives intertwine as a police investigation throws life on the island into disarray, as activists and agents provocateurs take action, as dormant fault lines begin to tremble. Andy Zuliani's Last Tide is a vital debut novel is an edgy glimpse at a world just beyond tomorrow, and a sharp reminder of what society deems valuable.
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Autorenporträt
Andy Zuliani is a writer and multimedia artist who lives in the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations. He was born in the suburbs of Vancouver, and educated at Simon Fraser University and New York University. In his written and audio-visual work, he is drawn to the cultural afterlives of the 1960s; to the possibilities of ambience, tone, and collective feeling; and to narratives of crisis, of healing, and of improvised communities of care.