Last Train To St. Kilda? - Davies, Paul Michael
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The funniest night's entertainment in years. Theatre That Really Works ! This inventive piece of modern theatre really gets down to the nitty gritty in its story of a very ordinary suburban couple caught up in the traps of modern society. The laughs come thick and fast. All the cast are excellent. It's so good one wonders how long it will be before Paul Davies material enters the mainstream theatre, perhaps the MTC. I can't recommend Last Train to St. Kilda highly enough… (Toorak Times) Last Train to St. Kilda deals with a society that has gone mad. A society whose opinions are formed by…mehr

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Produktbeschreibung
The funniest night's entertainment in years. Theatre That Really Works ! This inventive piece of modern theatre really gets down to the nitty gritty in its story of a very ordinary suburban couple caught up in the traps of modern society. The laughs come thick and fast. All the cast are excellent. It's so good one wonders how long it will be before Paul Davies material enters the mainstream theatre, perhaps the MTC. I can't recommend Last Train to St. Kilda highly enough… (Toorak Times) Last Train to St. Kilda deals with a society that has gone mad. A society whose opinions are formed by newspapers like the Daily Liar, where all the money has holes in it and where, about the only thing you're allowed to get without your ID is a cold sore. Can a mere individual Turn the Tide. Can a play save a railway line? Make sure you catch Last Train to St. Kilda and find out. (Waves Magazine) The result is partly a rail against the government, and partly a reaction against the attack on our privacy from bureaucrats, in particular their misuse of computer data bases. The style of the play is Mel Brooks. Davies certainly has some brilliant ideas and some razor-sharp observations on contemporary life. (St. Kilda Times)
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Autorenporträt
Paul M Davies is an award winning screenwriter, script editor and playwright who sharpened his quill on over a hundred episodes of television series from Crawford classics such as Homicide (1974-5), The Box (1975-76) and The Sullivans (1976-78) to Skyways (1979), Rafferty's Rules (1985), Blue Heelers (1997), Pacific Drive (1996), Stingers (1998-2003), Something in the Air (1999-2001) and Headland (2005). He also helped spark the site-specific performance revolution in Melbourne in the 1980s with TheatreWorks' production of his first play Storming Mont Albert By Tram (1982). What became known as The Tram Show played across a dozen years to packed trams in both Melbourne and Adelaide, travelling a total distance that would have taken the show halfway round the world. Its success lead to an outbreak of 'location theatre' in Melbourne throughout the 1980s including three other plays in real places: Breaking Up In Balwyn (1983, on a riverboat), Living Rooms (1986, in an historic mansion) and Full House/No Vacancies (1989, in a boarding house). These works became the subject of his book Really Moving Drama. Both The Tram Show and On Shifting Sandshoes (1988) were awarded AWGIES, along with Return of The Prodigal (2000) an episode of Something In The Air (ABC). Paul co-wrote the feature Neil Lynn with David Baker in 1984, and the docu-fiction Exits (1980) with Pat Laughren and Carolyn Howard. His novel, 33 Postcards From Heaven was published by Gondwana Press in 2005. Numerous articles, reviews, stories and interviews have been published in Metro, Cinema Papers, Cantrill's Filmnotes, Australasian Drama Studies, Community Theatre In Australia, The Macquarie Companion to the Australian Media and Theatre Research International (Cambridge University). He has also given courses in literature and creative writing at various colleges and universities including: Southern Cross, James Cook and Melbourne State.