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Theodor Adorno is widely recognized as one of the intellectual giants of the twentieth century, as a foremost cultural critic and philosopher, and one of the most important figures in the Frankfurt School and Western Marxism more generally. And yet, Adorno's reputation has suffered from accusations about his alleged pessimism and, even worse, from attempts by postmodernists to recruit him to their war against all 'grand narratives', including, most importantly, Marxism itself. In this work Fredric Jameson rescues Adorno from the claws of his critics and the clutches of his false friends.…mehr

Produktbeschreibung
Theodor Adorno is widely recognized as one of the intellectual giants of the twentieth century, as a foremost cultural critic and philosopher, and one of the most important figures in the Frankfurt School and Western Marxism more generally. And yet, Adorno's reputation has suffered from accusations about his alleged pessimism and, even worse, from attempts by postmodernists to recruit him to their war against all 'grand narratives', including, most importantly, Marxism itself. In this work Fredric Jameson rescues Adorno from the claws of his critics and the clutches of his false friends. Jameson sees Adorno as not only a thinker whose contribution to Marxism was unique and indispensable, but also as the theorist of late capitalism. Late Marxism introduces Adorno's thought to a new generation of dissidents and demonstrates the freshness and relevance of dialectical thinking to criticism and resistance today.
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Autorenporträt
Fredric Jameson is Distinguished Professor of Comparative Literature at Duke University. The author of numerous books, he has over the last three decades developed a richly nuanced vision of Western culture's relation to political economy. He was a recipient of the 2008 Holberg International Memorial Prize. He is the author of many books, including Postmodernism, Or, The Cultural Logic of Late Capitalism, The Cultural Turn, A Singular Modernity, The Modernist Papers, Archaeologies of the Future, Brecht and Method, Ideologies of Theory, Valences of the Dialectic, The Hegel Variations and Representing Capital.