A study of the experimental novel of the postwar period in Britain that rethinks the resurgence of the literary avant-garde that occurred in these decades and explains its implications for the history of the novel and late modernism more broadly.
A study of the experimental novel of the postwar period in Britain that rethinks the resurgence of the literary avant-garde that occurred in these decades and explains its implications for the history of the novel and late modernism more broadly.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Julia Jordan is Associate Professor of English at UCL. She is the author of Chance and the Modern British Novel (2010), and she has co-edited an anthology of B.S. Johnson's writing entitled Well Done God! (Picador, 2013). She has also published essays in a variety of collections and journals on aspects of twentieth-century literature, and in particular the experimental writing of the 1960s and 70s.
Inhaltsangabe
Introduction: Oblique Strategies and Experimental Fictions Part 1: Accidental Forms 1: Accident as Event: Accidents, Atoms, and Late Modernist Experiment 2: Accident as Form: Strategies of Surprise 3: Accident as Critique: The Politics of Form Part 2: Errancy, Uncertainty, Indeterminacy 4: Realism, Truth and Error in the Writing of B. S. Johnson 5: Accidental Subjects, or Ann Quin's Literature of Possibility 6: Indeterminate Brooke-Rose Part 3: Oblique Late(r) Modernism 7: The Avant Garde and Late, Late Modernism: Alexander Trocchi and Tom McCarthy Coda
Introduction: Oblique Strategies and Experimental Fictions Part 1: Accidental Forms 1: Accident as Event: Accidents, Atoms, and Late Modernist Experiment 2: Accident as Form: Strategies of Surprise 3: Accident as Critique: The Politics of Form Part 2: Errancy, Uncertainty, Indeterminacy 4: Realism, Truth and Error in the Writing of B. S. Johnson 5: Accidental Subjects, or Ann Quin's Literature of Possibility 6: Indeterminate Brooke-Rose Part 3: Oblique Late(r) Modernism 7: The Avant Garde and Late, Late Modernism: Alexander Trocchi and Tom McCarthy Coda
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