Late Shakespeare - Palfrey, Simon
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contested history. Recent criticism tends to put a pre-emptive 'master-paradigm' above all else; a more sinuous, minutely attentive critical vocabulary is needed to apprehend Shakespeare's turbulent, precise, teeming metaphorical discourse.
Palfrey presents a new vision of character, metaphor, and politics in late Shakespeare. Closely analyzing Shakespeare's use of language and genre, he shows how the plays revamp theatrical decorums. The plays are not courtly, sober, and escapist, as their reputation suggests; rather, they are peculiarly sensitive to the turbulent, unfinished quality of…mehr

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Produktbeschreibung
contested history. Recent criticism tends to put a pre-emptive 'master-paradigm' above all else; a more sinuous, minutely attentive critical vocabulary is needed to apprehend Shakespeare's turbulent, precise, teeming metaphorical discourse.
Palfrey presents a new vision of character, metaphor, and politics in late Shakespeare. Closely analyzing Shakespeare's use of language and genre, he shows how the plays revamp theatrical decorums. The plays are not courtly, sober, and escapist, as their reputation suggests; rather, they are peculiarly sensitive to the turbulent, unfinished quality of Shakespeare's historical moment. In both court and wilderness, Shakespeare analyzes the violence of authority, the tensions in language, and the origin and prospects of both. Palfrey argues against a conventional sense of the plays' movement towards divinely sanctioned closure; mischief, irony, polysemy remain; romance's political problems are competitive, multiple, and tumescently unpredictable.
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Autorenporträt
Simon Palfrey is a Fellow of Brasenose College, Oxford University. His books include Late Shakespeare: A New World of Words (Oxford, 1997); Shakespeare in Parts (Oxford, 2007), written with Tiffany Stern and awarded the Medieval and Renaissance Drama Society's David Bevington Prize for best new book; Romeo and Juliet (Short Books, 2011); and the novel Dunsinane, written with Ewan Fernie. He is the founding editor (with Fernie) of Continuum's innovative series of 'minigraphs', Shakespeare Now! His new work includes a book on possible worlds in early modern drama and philosophy, and a play inspired by Spenser's Faerie Queen. His book Doing Shakespeare was published by Arden Shakespeare in 2005, reissued 2011.