Gordon Mcmullan
Late Style and Its Discontents
Essays in Art, Literature, and Music
Herausgeber: Smiles, Sam
Gordon Mcmullan
Late Style and Its Discontents
Essays in Art, Literature, and Music
Herausgeber: Smiles, Sam
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Late style and its Discontents interrogates the critical cliche of 'late style' , questioning whether Titian, Beethoven, Goethe and others can usefully be assimilated to one another, as though their particular social and historical circumstances had been transcended by a singular existential predicament.
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Late style and its Discontents interrogates the critical cliche of 'late style' , questioning whether Titian, Beethoven, Goethe and others can usefully be assimilated to one another, as though their particular social and historical circumstances had been transcended by a singular existential predicament.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press, USA
- Seitenzahl: 294
- Erscheinungstermin: 1. November 2016
- Englisch
- Abmessung: 236mm x 152mm x 28mm
- Gewicht: 567g
- ISBN-13: 9780198704621
- ISBN-10: 0198704623
- Artikelnr.: 47865765
- Verlag: Oxford University Press, USA
- Seitenzahl: 294
- Erscheinungstermin: 1. November 2016
- Englisch
- Abmessung: 236mm x 152mm x 28mm
- Gewicht: 567g
- ISBN-13: 9780198704621
- ISBN-10: 0198704623
- Artikelnr.: 47865765
Gordon McMullan is Professor of English at King's College London and Director of the London Shakespeare Centre. He is a critic and an editor with a focus on Shakespeare and early modern drama. He is a general editor of the Arden Early Modern Drama series and author of Shakespeare and the Idea of Late Writing: Authorship in the Proximity of Death. Sam Smiles is an art historian at the University of Exeter. His research is focused primarily on British art and especially on the career of JMW Turner. He is curating a major exhibition at Tate Britain on Turner's last works and completing a book on the same subject.
* Introduction: Late Style and its Discontents
* Part one: Lateness, History, Modernity
* 1: Sam Smiles: From Titian to Impressionism: The Genealogy of Late
Style
* 2: Gordon McMullan: The 'Strangeness' of George Oppen: Criticism,
Modernity, and the Conditions of Late Style
* Part two: Lateness and the Life Course
* 3: Linda Hutcheon and Michael Hutcheon: Historicizing Late Style as a
Discourse of Reception
* 4: David Amigoni: Making Darwin Late: Later Life and Style in
Evolutionary Writing and its Contexts
* 5: Jeremy Lewison: In the Antechamber of Death: Picasso's Later
Paintings
* 6: Philip Gossett: The 'Late Styles' of Gioachino Rossini
* 7: Laura Tunbridge: Saving Schubert: the Evasions of Late Style
* 8: Michael Bell: Perceptions of Lateness: Goethe, Nietzsche, Thomas
Mann, and D. H. Lawrence
* Part four: The Time and Place of Lateness
* 10: Olivia Murphy: Suffering Sea-changes: Jane Austen's Afterlives
and the Possibilities of a Late Style
* 11: Barbara L. Kelly: Ravel, Timeliness, and Late Style
* 12: Karen Leeder: 'Anachronism': Michael Hamburger and the Time and
Place of Late Work
* Part five: Adorno, Lateness, History
* 13: Michael Spitzer: Notes on Beethoven's Late Style
* 14: Bente Larsen: The Infinity of Water Lilies: On Monet's Late
Paintings
* 15: Robert Spencer: Lateness and Modernity in Theodor Adorno
* Afterword
* Part one: Lateness, History, Modernity
* 1: Sam Smiles: From Titian to Impressionism: The Genealogy of Late
Style
* 2: Gordon McMullan: The 'Strangeness' of George Oppen: Criticism,
Modernity, and the Conditions of Late Style
* Part two: Lateness and the Life Course
* 3: Linda Hutcheon and Michael Hutcheon: Historicizing Late Style as a
Discourse of Reception
* 4: David Amigoni: Making Darwin Late: Later Life and Style in
Evolutionary Writing and its Contexts
* 5: Jeremy Lewison: In the Antechamber of Death: Picasso's Later
Paintings
* 6: Philip Gossett: The 'Late Styles' of Gioachino Rossini
* 7: Laura Tunbridge: Saving Schubert: the Evasions of Late Style
* 8: Michael Bell: Perceptions of Lateness: Goethe, Nietzsche, Thomas
Mann, and D. H. Lawrence
* Part four: The Time and Place of Lateness
* 10: Olivia Murphy: Suffering Sea-changes: Jane Austen's Afterlives
and the Possibilities of a Late Style
* 11: Barbara L. Kelly: Ravel, Timeliness, and Late Style
* 12: Karen Leeder: 'Anachronism': Michael Hamburger and the Time and
Place of Late Work
* Part five: Adorno, Lateness, History
* 13: Michael Spitzer: Notes on Beethoven's Late Style
* 14: Bente Larsen: The Infinity of Water Lilies: On Monet's Late
Paintings
* 15: Robert Spencer: Lateness and Modernity in Theodor Adorno
* Afterword
* Introduction: Late Style and its Discontents
* Part one: Lateness, History, Modernity
* 1: Sam Smiles: From Titian to Impressionism: The Genealogy of Late
Style
* 2: Gordon McMullan: The 'Strangeness' of George Oppen: Criticism,
Modernity, and the Conditions of Late Style
* Part two: Lateness and the Life Course
* 3: Linda Hutcheon and Michael Hutcheon: Historicizing Late Style as a
Discourse of Reception
* 4: David Amigoni: Making Darwin Late: Later Life and Style in
Evolutionary Writing and its Contexts
* 5: Jeremy Lewison: In the Antechamber of Death: Picasso's Later
Paintings
* 6: Philip Gossett: The 'Late Styles' of Gioachino Rossini
* 7: Laura Tunbridge: Saving Schubert: the Evasions of Late Style
* 8: Michael Bell: Perceptions of Lateness: Goethe, Nietzsche, Thomas
Mann, and D. H. Lawrence
* Part four: The Time and Place of Lateness
* 10: Olivia Murphy: Suffering Sea-changes: Jane Austen's Afterlives
and the Possibilities of a Late Style
* 11: Barbara L. Kelly: Ravel, Timeliness, and Late Style
* 12: Karen Leeder: 'Anachronism': Michael Hamburger and the Time and
Place of Late Work
* Part five: Adorno, Lateness, History
* 13: Michael Spitzer: Notes on Beethoven's Late Style
* 14: Bente Larsen: The Infinity of Water Lilies: On Monet's Late
Paintings
* 15: Robert Spencer: Lateness and Modernity in Theodor Adorno
* Afterword
* Part one: Lateness, History, Modernity
* 1: Sam Smiles: From Titian to Impressionism: The Genealogy of Late
Style
* 2: Gordon McMullan: The 'Strangeness' of George Oppen: Criticism,
Modernity, and the Conditions of Late Style
* Part two: Lateness and the Life Course
* 3: Linda Hutcheon and Michael Hutcheon: Historicizing Late Style as a
Discourse of Reception
* 4: David Amigoni: Making Darwin Late: Later Life and Style in
Evolutionary Writing and its Contexts
* 5: Jeremy Lewison: In the Antechamber of Death: Picasso's Later
Paintings
* 6: Philip Gossett: The 'Late Styles' of Gioachino Rossini
* 7: Laura Tunbridge: Saving Schubert: the Evasions of Late Style
* 8: Michael Bell: Perceptions of Lateness: Goethe, Nietzsche, Thomas
Mann, and D. H. Lawrence
* Part four: The Time and Place of Lateness
* 10: Olivia Murphy: Suffering Sea-changes: Jane Austen's Afterlives
and the Possibilities of a Late Style
* 11: Barbara L. Kelly: Ravel, Timeliness, and Late Style
* 12: Karen Leeder: 'Anachronism': Michael Hamburger and the Time and
Place of Late Work
* Part five: Adorno, Lateness, History
* 13: Michael Spitzer: Notes on Beethoven's Late Style
* 14: Bente Larsen: The Infinity of Water Lilies: On Monet's Late
Paintings
* 15: Robert Spencer: Lateness and Modernity in Theodor Adorno
* Afterword