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This volume opens up, in new and innovative ways, a range of dimensions of late Victorian and modern literature and culture. It examines shared developments, points out continuities rather than ruptures, and explores the understanding of this period as a moment in which new knowledges were forming with particular speed and intensity.

Produktbeschreibung
This volume opens up, in new and innovative ways, a range of dimensions of late Victorian and modern literature and culture. It examines shared developments, points out continuities rather than ruptures, and explores the understanding of this period as a moment in which new knowledges were forming with particular speed and intensity.
Autorenporträt
Laura Marcus is Goldsmiths' Professor of English at the University of Oxford, where she is a Professorial Fellow of New College. Her book publications include Auto/biographical Discourses: Theory, Criticism, Practice (1994), Virginia Woolf: Writers and their Work (1997/2004), The Tenth Muse: Writing about Cinema in the Modernist Period (2007; awarded the 2008 James Russell Lowell Prize of the Modern Language Association), Dreams of Modernity: Psychoanalysis, Literature, Cinema (2015), and, as co-editor, The Cambridge History of Twentieth-Century English Literature (2004). Her current research project includes a study of the concept of 'rhythm' in the late nineteenth and early twentieth centuries, in a range of disciplinary contexts. Michèle Mendelssohn is Associate Professor at University of Oxford and Deputy Director of the Rothermere American Institute. She is the author of Henry James, Oscar Wilde, and Aesthetic Culture (2007) and co-editor of Alan Hollinghurst: Writing Under the Influence (2016). Kirsten Shepherd-Barr is Professor of English and Theatre Studies at the University of Oxford and a Fellow of St. Catherine's College. Her books include Science on Stage: From Doctor Faustus to Copenhagen (2006), Theatre and Evolution from Ibsen to Beckett (2015), and Modern Drama: A Very Short Introduction (2016).