Late Victorian Into Modern
Herausgeber: Marcus, Laura; Shepherd-Barr, Kirsten E; Mendelssohn, Michele
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Late Victorian Into Modern
Herausgeber: Marcus, Laura; Shepherd-Barr, Kirsten E; Mendelssohn, Michele
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This volume opens up, in new and innovative ways, a range of dimensions of late Victorian and modern literature and culture. It examines shared developments, points out continuities rather than ruptures, and explores the understanding of this period as a moment in which new knowledges were forming with particular speed and intensity.
This volume opens up, in new and innovative ways, a range of dimensions of late Victorian and modern literature and culture. It examines shared developments, points out continuities rather than ruptures, and explores the understanding of this period as a moment in which new knowledges were forming with particular speed and intensity.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press, USA
- Seitenzahl: 672
- Erscheinungstermin: 9. März 2020
- Englisch
- Abmessung: 246mm x 170mm x 43mm
- Gewicht: 1179g
- ISBN-13: 9780198847748
- ISBN-10: 0198847742
- Artikelnr.: 56972584
- Verlag: Oxford University Press, USA
- Seitenzahl: 672
- Erscheinungstermin: 9. März 2020
- Englisch
- Abmessung: 246mm x 170mm x 43mm
- Gewicht: 1179g
- ISBN-13: 9780198847748
- ISBN-10: 0198847742
- Artikelnr.: 56972584
Laura Marcus is Goldsmiths' Professor of English at the University of Oxford, where she is a Professorial Fellow of New College. Her book publications include Auto/biographical Discourses: Theory, Criticism, Practice (1994), Virginia Woolf: Writers and their Work (1997/2004), The Tenth Muse: Writing about Cinema in the Modernist Period (2007; awarded the 2008 James Russell Lowell Prize of the Modern Language Association), Dreams of Modernity: Psychoanalysis, Literature, Cinema (2015), and, as co-editor, The Cambridge History of Twentieth-Century English Literature (2004). Her current research project includes a study of the concept of 'rhythm' in the late nineteenth and early twentieth centuries, in a range of disciplinary contexts. Michèle Mendelssohn is Associate Professor at University of Oxford and Deputy Director of the Rothermere American Institute. She is the author of Henry James, Oscar Wilde, and Aesthetic Culture (2007), Making Oscar Wilde (2018) and co-editor of Alan Hollinghurst: Writing Under the Influence (2016). Kirsten Shepherd-Barr is Professor of English and Theatre Studies at the University of Oxford and a Fellow of St. Catherine's College. Her books include Science on Stage: From Doctor Faustus to Copenhagen (2006), Theatre and Evolution from Ibsen to Beckett (2015), and Modern Drama: A Very Short Introduction (2016).
* Introduction
* Twilights
* 1: Marcus Waithe: Medievalism and Modernity
* 2: Jarad Zimbler: Mythology, Empire, and Narrative
* 3: Stefano Evangelista: Death Drives: Biology, Decadence, and
Psychoanalysis
* 4: Daniel Williams: Celticism
* Making it New
* 5: Christos Hadjiyiannis: Cultures of the Avant-Garde
* 6: Hannah Sullivan: Hannah Sullivan
* 7: Michael H. Whitworth: When was Modernism?
* 8: Sos Eltis and Kirsten Shepherd-Barr: What was the 'New Drama'?
* 9: Angelique Richardson: Who was the New Woman?
* 10: Anne Fernihough: Utopian Thought and the Way to Live Now
* Modes and Genres
* 11: Adam Parkes: Naturalism, Realism, and Impressionism
* 12: Adrian Hunter: Naturalism, Realism, and Impressionism
* 13: Matthew Taunton: Moon Voyaging, Selenography and the Scientific
Romance
* 14: David Glover: Super-niches?: Detection, Adventure, Exploration
and Spy Stories
* Sites and Spaces of Knowledge
* 15: Rachel Crossland: Scientific Formations
* 16: Tatiana Kontou: Spirit Worlds
* 17: Laurence Scott: Cityscapes
* 18: Penny Fielding: Regionalisms
* 19: Elleke Boehmer: The View from Empire: the Turn-of-the-Century
Globalizing World
* Minds and Bodies
* 20: William Greenslade: Race and Biology
* 21: Vincent J. Cheng: The Will to Forget: Amnesia, the Nation, and
Ulysses
* 22: Dennis Denisoff: The Posthuman Spirit of the Neo-Pagan Movement
* 23: Tiffany Watt-Smith: Theatre and the Sciences of Mind
* 24: Santanu Das: The Theatre of Hands: Writing the First World War
* 25: Marah Gubar: Children's Literature and Literatures of Childhood
* 26: Jana Funke: Intersexions: Dandyism, Cross-Dressing, Transgender
* Political and Social Selves
* 27: Ruth Livesey: Political Formations: Anarchism, Feminism,
Socialism
* 28: Benjamin Kohlmann: 'The End of Laissez-Faire': Literature,
Economics, and the Idea of the Welfare State
* 29: Sos Eltis: Representing Work
* Authorship, Aesthetics, and Print Cultures
* 30: Michèle Mendelssohn: Reading Aestheticism, Decadence, and
Cosmopolitanism
* 31: James Williams: Parodies, Spoofs, and Satires
* 32: Max Saunders: Life-Writing: Biography, Portraits and
Self-portraits, Masked Authorship and Autobiografictions
* 33: Faith Binckes: Journalism and Periodical Culture
* 34: Kamilla Elliott: The Illustrated Book
* Technologies
* 35: Laura Marcus: The Coming of Cinema
* 36: Kate Flint: Literature and Photography
* 37: Sam Halliday: Electricity, Telephony, and Communications
* 38: Alexander Bubb: The Residue of Modernity: Technology,
Anachronism, and Bric-à-Brac in India
* 39: Olga Taxidou: Stagecraft: Puppets, Masks, and Machines
* Twilights
* 1: Marcus Waithe: Medievalism and Modernity
* 2: Jarad Zimbler: Mythology, Empire, and Narrative
* 3: Stefano Evangelista: Death Drives: Biology, Decadence, and
Psychoanalysis
* 4: Daniel Williams: Celticism
* Making it New
* 5: Christos Hadjiyiannis: Cultures of the Avant-Garde
* 6: Hannah Sullivan: Hannah Sullivan
* 7: Michael H. Whitworth: When was Modernism?
* 8: Sos Eltis and Kirsten Shepherd-Barr: What was the 'New Drama'?
* 9: Angelique Richardson: Who was the New Woman?
* 10: Anne Fernihough: Utopian Thought and the Way to Live Now
* Modes and Genres
* 11: Adam Parkes: Naturalism, Realism, and Impressionism
* 12: Adrian Hunter: Naturalism, Realism, and Impressionism
* 13: Matthew Taunton: Moon Voyaging, Selenography and the Scientific
Romance
* 14: David Glover: Super-niches?: Detection, Adventure, Exploration
and Spy Stories
* Sites and Spaces of Knowledge
* 15: Rachel Crossland: Scientific Formations
* 16: Tatiana Kontou: Spirit Worlds
* 17: Laurence Scott: Cityscapes
* 18: Penny Fielding: Regionalisms
* 19: Elleke Boehmer: The View from Empire: the Turn-of-the-Century
Globalizing World
* Minds and Bodies
* 20: William Greenslade: Race and Biology
* 21: Vincent J. Cheng: The Will to Forget: Amnesia, the Nation, and
Ulysses
* 22: Dennis Denisoff: The Posthuman Spirit of the Neo-Pagan Movement
* 23: Tiffany Watt-Smith: Theatre and the Sciences of Mind
* 24: Santanu Das: The Theatre of Hands: Writing the First World War
* 25: Marah Gubar: Children's Literature and Literatures of Childhood
* 26: Jana Funke: Intersexions: Dandyism, Cross-Dressing, Transgender
* Political and Social Selves
* 27: Ruth Livesey: Political Formations: Anarchism, Feminism,
Socialism
* 28: Benjamin Kohlmann: 'The End of Laissez-Faire': Literature,
Economics, and the Idea of the Welfare State
* 29: Sos Eltis: Representing Work
* Authorship, Aesthetics, and Print Cultures
* 30: Michèle Mendelssohn: Reading Aestheticism, Decadence, and
Cosmopolitanism
* 31: James Williams: Parodies, Spoofs, and Satires
* 32: Max Saunders: Life-Writing: Biography, Portraits and
Self-portraits, Masked Authorship and Autobiografictions
* 33: Faith Binckes: Journalism and Periodical Culture
* 34: Kamilla Elliott: The Illustrated Book
* Technologies
* 35: Laura Marcus: The Coming of Cinema
* 36: Kate Flint: Literature and Photography
* 37: Sam Halliday: Electricity, Telephony, and Communications
* 38: Alexander Bubb: The Residue of Modernity: Technology,
Anachronism, and Bric-à-Brac in India
* 39: Olga Taxidou: Stagecraft: Puppets, Masks, and Machines
* Introduction
* Twilights
* 1: Marcus Waithe: Medievalism and Modernity
* 2: Jarad Zimbler: Mythology, Empire, and Narrative
* 3: Stefano Evangelista: Death Drives: Biology, Decadence, and
Psychoanalysis
* 4: Daniel Williams: Celticism
* Making it New
* 5: Christos Hadjiyiannis: Cultures of the Avant-Garde
* 6: Hannah Sullivan: Hannah Sullivan
* 7: Michael H. Whitworth: When was Modernism?
* 8: Sos Eltis and Kirsten Shepherd-Barr: What was the 'New Drama'?
* 9: Angelique Richardson: Who was the New Woman?
* 10: Anne Fernihough: Utopian Thought and the Way to Live Now
* Modes and Genres
* 11: Adam Parkes: Naturalism, Realism, and Impressionism
* 12: Adrian Hunter: Naturalism, Realism, and Impressionism
* 13: Matthew Taunton: Moon Voyaging, Selenography and the Scientific
Romance
* 14: David Glover: Super-niches?: Detection, Adventure, Exploration
and Spy Stories
* Sites and Spaces of Knowledge
* 15: Rachel Crossland: Scientific Formations
* 16: Tatiana Kontou: Spirit Worlds
* 17: Laurence Scott: Cityscapes
* 18: Penny Fielding: Regionalisms
* 19: Elleke Boehmer: The View from Empire: the Turn-of-the-Century
Globalizing World
* Minds and Bodies
* 20: William Greenslade: Race and Biology
* 21: Vincent J. Cheng: The Will to Forget: Amnesia, the Nation, and
Ulysses
* 22: Dennis Denisoff: The Posthuman Spirit of the Neo-Pagan Movement
* 23: Tiffany Watt-Smith: Theatre and the Sciences of Mind
* 24: Santanu Das: The Theatre of Hands: Writing the First World War
* 25: Marah Gubar: Children's Literature and Literatures of Childhood
* 26: Jana Funke: Intersexions: Dandyism, Cross-Dressing, Transgender
* Political and Social Selves
* 27: Ruth Livesey: Political Formations: Anarchism, Feminism,
Socialism
* 28: Benjamin Kohlmann: 'The End of Laissez-Faire': Literature,
Economics, and the Idea of the Welfare State
* 29: Sos Eltis: Representing Work
* Authorship, Aesthetics, and Print Cultures
* 30: Michèle Mendelssohn: Reading Aestheticism, Decadence, and
Cosmopolitanism
* 31: James Williams: Parodies, Spoofs, and Satires
* 32: Max Saunders: Life-Writing: Biography, Portraits and
Self-portraits, Masked Authorship and Autobiografictions
* 33: Faith Binckes: Journalism and Periodical Culture
* 34: Kamilla Elliott: The Illustrated Book
* Technologies
* 35: Laura Marcus: The Coming of Cinema
* 36: Kate Flint: Literature and Photography
* 37: Sam Halliday: Electricity, Telephony, and Communications
* 38: Alexander Bubb: The Residue of Modernity: Technology,
Anachronism, and Bric-à-Brac in India
* 39: Olga Taxidou: Stagecraft: Puppets, Masks, and Machines
* Twilights
* 1: Marcus Waithe: Medievalism and Modernity
* 2: Jarad Zimbler: Mythology, Empire, and Narrative
* 3: Stefano Evangelista: Death Drives: Biology, Decadence, and
Psychoanalysis
* 4: Daniel Williams: Celticism
* Making it New
* 5: Christos Hadjiyiannis: Cultures of the Avant-Garde
* 6: Hannah Sullivan: Hannah Sullivan
* 7: Michael H. Whitworth: When was Modernism?
* 8: Sos Eltis and Kirsten Shepherd-Barr: What was the 'New Drama'?
* 9: Angelique Richardson: Who was the New Woman?
* 10: Anne Fernihough: Utopian Thought and the Way to Live Now
* Modes and Genres
* 11: Adam Parkes: Naturalism, Realism, and Impressionism
* 12: Adrian Hunter: Naturalism, Realism, and Impressionism
* 13: Matthew Taunton: Moon Voyaging, Selenography and the Scientific
Romance
* 14: David Glover: Super-niches?: Detection, Adventure, Exploration
and Spy Stories
* Sites and Spaces of Knowledge
* 15: Rachel Crossland: Scientific Formations
* 16: Tatiana Kontou: Spirit Worlds
* 17: Laurence Scott: Cityscapes
* 18: Penny Fielding: Regionalisms
* 19: Elleke Boehmer: The View from Empire: the Turn-of-the-Century
Globalizing World
* Minds and Bodies
* 20: William Greenslade: Race and Biology
* 21: Vincent J. Cheng: The Will to Forget: Amnesia, the Nation, and
Ulysses
* 22: Dennis Denisoff: The Posthuman Spirit of the Neo-Pagan Movement
* 23: Tiffany Watt-Smith: Theatre and the Sciences of Mind
* 24: Santanu Das: The Theatre of Hands: Writing the First World War
* 25: Marah Gubar: Children's Literature and Literatures of Childhood
* 26: Jana Funke: Intersexions: Dandyism, Cross-Dressing, Transgender
* Political and Social Selves
* 27: Ruth Livesey: Political Formations: Anarchism, Feminism,
Socialism
* 28: Benjamin Kohlmann: 'The End of Laissez-Faire': Literature,
Economics, and the Idea of the Welfare State
* 29: Sos Eltis: Representing Work
* Authorship, Aesthetics, and Print Cultures
* 30: Michèle Mendelssohn: Reading Aestheticism, Decadence, and
Cosmopolitanism
* 31: James Williams: Parodies, Spoofs, and Satires
* 32: Max Saunders: Life-Writing: Biography, Portraits and
Self-portraits, Masked Authorship and Autobiografictions
* 33: Faith Binckes: Journalism and Periodical Culture
* 34: Kamilla Elliott: The Illustrated Book
* Technologies
* 35: Laura Marcus: The Coming of Cinema
* 36: Kate Flint: Literature and Photography
* 37: Sam Halliday: Electricity, Telephony, and Communications
* 38: Alexander Bubb: The Residue of Modernity: Technology,
Anachronism, and Bric-à-Brac in India
* 39: Olga Taxidou: Stagecraft: Puppets, Masks, and Machines