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Lateness and Brahms takes up the fascinating, yet understudied problem of how Brahms fits into the culture of turn-of-the-century Vienna. Brahms's puzzling absence in previous scholarly accounts of the time and place raises important questions, and as Margaret Notley demonstrates, the tendency to view him in neutralized, ahistorical terms has made his music seem far less interesting than it truly is.

Produktbeschreibung
Lateness and Brahms takes up the fascinating, yet understudied problem of how Brahms fits into the culture of turn-of-the-century Vienna. Brahms's puzzling absence in previous scholarly accounts of the time and place raises important questions, and as Margaret Notley demonstrates, the tendency to view him in neutralized, ahistorical terms has made his music seem far less interesting than it truly is.
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Autorenporträt
Margaret Notley, an Associate Professor of Music History at the University of North Texas, has published widely on a number of topics. Her article "Late-Nineteenth-Century Chamber Music and the Cult of the Classical Adagio" won the 2000 Alfred Einstein Award given by the American Musicological Society.