Explores the political aesthetics of 'lateness' in the cultural sphere after World War I, mapping intersections between the activities, attitudes and ideas of musical and literary figures in Britain. The book will appeal to readers interested in musical modernism, literary modernism and the politics of interwar Britain.
Explores the political aesthetics of 'lateness' in the cultural sphere after World War I, mapping intersections between the activities, attitudes and ideas of musical and literary figures in Britain. The book will appeal to readers interested in musical modernism, literary modernism and the politics of interwar Britain.
Sarah Collins is a lecturer in musicology at the University of Western Australia. She is the author of The Aesthetic Life of Cyril Scott (2013); and editor of Music and Victorian Liberalism (Cambridge, forthcoming).
Inhaltsangabe
1. The afterlife of a 'Beaten Ghost' 2. Sketch of a milieu: impasse and lateness 3. Impersonality and vividness 'Le Gai Savaire', Philip Heseltine and D. H. Lawrence 4. Modernism, democracy and the politics of lateness: Kaikhosru Sorabji and the new age 5. Cycles, rotation and the image: Cecil Gray's music history and H. D.'s Imagism
1. The afterlife of a 'Beaten Ghost' 2. Sketch of a milieu: impasse and lateness 3. Impersonality and vividness 'Le Gai Savaire', Philip Heseltine and D. H. Lawrence 4. Modernism, democracy and the politics of lateness: Kaikhosru Sorabji and the new age 5. Cycles, rotation and the image: Cecil Gray's music history and H. D.'s Imagism
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