This book analyzes the initial engagement with Hollywood by key Latin American writers, examining the ways in which these writers seized the opportunity to reassert their relevance in the rapidly modernizing public sphere by actively - and often subversively - mediating encounters between Hollywood and local audiences.
This book analyzes the initial engagement with Hollywood by key Latin American writers, examining the ways in which these writers seized the opportunity to reassert their relevance in the rapidly modernizing public sphere by actively - and often subversively - mediating encounters between Hollywood and local audiences.
Jason Borge is currently an Assistant Professor of Spanish at Vanderbilt University, where he teaches courses on Latin American literature, cultural studies and film. His previous publications include Avances de Hollywood: crítica cinematográfica en Latinoamérica, 1915-1945 (Hollywood Advances: Latin American Film Criticism, 1915-1945), Beatriz Viterbo, 2005.
Inhaltsangabe
Acknowledgements Chapter One: The Lettered City of Angels Chapter Two: Ex Machina: Hollywood, Latin America and the Cinematic Imaginary Chapter Three: Celluloid Border: Mexican Revisions of Early Hollywood Chapter Four: Tropic of Chaplin: Latin American Intellectuals and the Little Tramp Chapter Five: Hollywood Chronicles: Latin American Journalism and the Early Talkies Chapter Six: Imperial Magic: Walt Disney in Latin America, 1930-1945 Notes Bibliography Index
Acknowledgements Chapter One: The Lettered City of Angels Chapter Two: Ex Machina: Hollywood, Latin America and the Cinematic Imaginary Chapter Three: Celluloid Border: Mexican Revisions of Early Hollywood Chapter Four: Tropic of Chaplin: Latin American Intellectuals and the Little Tramp Chapter Five: Hollywood Chronicles: Latin American Journalism and the Early Talkies Chapter Six: Imperial Magic: Walt Disney in Latin America, 1930-1945 Notes Bibliography Index
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