Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore how and why the contemporary international art market continues to overlook, devalue, and marginalize Latinx art and artists.
Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore how and why the contemporary international art market continues to overlook, devalue, and marginalize Latinx art and artists.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgments & Reader Instructions vii Introduction. Making Latinx Art 1 1. What Is Latinx Art? Lessons from Chicanx and Diasporican Artists 23 2. Exhibiting Latinx Art: On Critics, Curators, and Going "Beyond the Formula" 48 3. Nationalism and the Currency of Categories 79 4. On Markets and the Need for Cheerleaders 104 5. Whitewashing at Work, and Some Ways Out 138 Conclusion: At the Vanguard of Arts and Museum Activism in the Twenty-First Century 168 Appendix A: Noncomprehensive List of Artists Everyone Should Know 177 Appendix B: Additional Resources 185 Notes 189 References 203 Index 223
Acknowledgments & Reader Instructions vii Introduction. Making Latinx Art 1 1. What Is Latinx Art? Lessons from Chicanx and Diasporican Artists 23 2. Exhibiting Latinx Art: On Critics, Curators, and Going "Beyond the Formula" 48 3. Nationalism and the Currency of Categories 79 4. On Markets and the Need for Cheerleaders 104 5. Whitewashing at Work, and Some Ways Out 138 Conclusion: At the Vanguard of Arts and Museum Activism in the Twenty-First Century 168 Appendix A: Noncomprehensive List of Artists Everyone Should Know 177 Appendix B: Additional Resources 185 Notes 189 References 203 Index 223
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