Tells the forgotten story of post-Rossinian opera buffa, with attention to masterpieces by Donizetti and fascinating comic works by Luigi Ricci, the young Verdi, and other composers.
Tells the forgotten story of post-Rossinian opera buffa, with attention to masterpieces by Donizetti and fascinating comic works by Luigi Ricci, the young Verdi, and other composers.
Introduction Opera Buffa in 1832: Il nuovo Figaro and L'elisir d'amore The Ricci Supremacy and the Celebration of Italian Comedy: Un'avventura di Scaramuccia (1834) Old Librettos Revisited: Gaetano Rossi and Luigi Ricci's Le nozze di Figaro (1838) and Other Remakes Genre in Gaetano Donizetti's Don Pasquale (1843) Genre in Giovanni Peruzzini and Lauro Rossi's Il borgomastro di Schiedam (1844) "Evviva la Francia"? Nationality, Censorship, and Donizetti's La figlia del reggimento (1840) Conclusion: The Ricci Legacy, Crispino e la comare (1850), and Post-1848 Opera Buffa Notes Selected Bibliography Index
Introduction Opera Buffa in 1832: Il nuovo Figaro and L'elisir d'amore The Ricci Supremacy and the Celebration of Italian Comedy: Un'avventura di Scaramuccia (1834) Old Librettos Revisited: Gaetano Rossi and Luigi Ricci's Le nozze di Figaro (1838) and Other Remakes Genre in Gaetano Donizetti's Don Pasquale (1843) Genre in Giovanni Peruzzini and Lauro Rossi's Il borgomastro di Schiedam (1844) "Evviva la Francia"? Nationality, Censorship, and Donizetti's La figlia del reggimento (1840) Conclusion: The Ricci Legacy, Crispino e la comare (1850), and Post-1848 Opera Buffa Notes Selected Bibliography Index
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