This book investigates the clash between social uniformity and personal anomalies as a key to understanding the functions of laughter in four major Italian authors from the early twentieth century, highlighting some essential differences between traditional realism and modernism.
This book investigates the clash between social uniformity and personal anomalies as a key to understanding the functions of laughter in four major Italian authors from the early twentieth century, highlighting some essential differences between traditional realism and modernism.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction: Laughter, Modernism, and Originality 1. Laughter and Originality: From Sterne to Pirandello 2. Umorismo and Madness: Pirandello's Originals 3. Violence, Bad Faith, and Hypocrisy: Truth and Deception in Svevo's Laughter 4. Celebrations of Diversity: Palazzeschi's Buffi and the Nineteenth-Century Tradition 5. The Stupidity of the World': Satire and Common Nonsense in Gadda's Fiction 6. Conclusion: Italian Modernism and the Fear of Uniformity
Introduction: Laughter, Modernism, and Originality 1. Laughter and Originality: From Sterne to Pirandello 2. Umorismo and Madness: Pirandello's Originals 3. Violence, Bad Faith, and Hypocrisy: Truth and Deception in Svevo's Laughter 4. Celebrations of Diversity: Palazzeschi's Buffi and the Nineteenth-Century Tradition 5. The Stupidity of the World': Satire and Common Nonsense in Gadda's Fiction 6. Conclusion: Italian Modernism and the Fear of Uniformity
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